Word: mimed
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Dates: during 2000-2009
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...epileptic fits - often on stage - and a fear of the additional responsibilities of looming success. Joy Division songs such as Love Will Tear Us Apart, heavy with Curtis' anguish and sense of isolation, are framed eloquently in context. And by having the actors perform the music themselves rather than mime to originals, Corbijn captures the energy of Joy Division's shows. Shot, naturally, in black and white, Control has the intense feel of a 1960s British kitchen-sink drama, leavened by Corbijn's empathy for Curtis' plight...
...Lachaise cemetery with romantically restorative results, and Tom Twyker's take on a faltering love affair between a pair of young people, one of whom is blind, yet is also a brave and wily navigator of the sighted world. There's even a piece by Sylvain Chomet, about a mime - yes, I know, but set your prejudices aside - finding true love that has a sort of wayward charm...
...learn now how to pronounce the kid's name (it's Shy-yuh La-Buff) because it looks as if he's going to be around for a while. The son of a mime and a ballerina, he first got noticed as the star of the Disney Channel's Even Stevens and the big-screen adaptation of the teen-lit hit Holes. But he's growing up; he had a nude LSD-trip scene in Bobby, and his new thriller, Disturbia, just beat Halle Berry and Bruce Willis' Perfect Stranger at the box office...
...sometimes, uncanny. So much has been made about the rational character of the Pompidou that it's easy to overlook its enduring strangeness, the climate of uneasy feeling it creates as a building disemboweled, with its intestines and even its skeleton on display. Sitting on the broad, cobblestoned (and mime-infested) plaza in front of it, it's not hard to imagine that the underground workings of the city itself have erupted upward. The Pompidou may be high tech, its exoskeleton may be a rationalist's grid, but it strikes a note of ferocious dislocations and forbidden disclosures that...
...first job, at age 14, confirmed his hunch, for he caught on with Bob Pender, who managed a troupe of boy acrobats as if it were a kindly, disciplined, extended family. Young Archie learned acrobatics, mime and, above all, the joys of camaraderie and the need for collegial generosity. At the height of his career, he would remain the least narcissistic of actors, always willing to share scenes and to take a chance with some undignified business if someone thought it would work...