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Stravinsky's "Renard" and Poulenc's "Barbar the Elephant," two modern musical classics about animals, are at the Castle Hill Festival Concerts series Saturday night at 8:30 p.m. Besides the music, there's also classical mime by the Pocket Mime Theater...

Author: NO WRITER ATTRIBUTED | Title: MUSIC | 8/2/1974 | See Source »

Kenyon Martin and the National Mime Theater do a mostly enjoyable show over at Lesley College's Welch Auditorium every Friday and Saturday evening at 8. The first part of the production, entitled "Beyond Words," is made up of nine traditional mime routines. Martin, the grand master of the art form, is the featured performer during this first act and he's a joy to behold...

Author: NO WRITER ATTRIBUTED | Title: THE STAGE | 8/2/1974 | See Source »

Kenyon Martin and the National Mime Theater do a mostly enjoyable show over at Lesley College's Welch Auditorium every Friday and Saturday evening at 8. The first part of the show is called "Beyond Words" and it's made up of nine traditional mime routines. Martin, the grand master of the art form in America, is the featured performer during this first act. He's just a joy to behold. The second part, "Unnatural Acts," is an original theater piece that dispenses with mime tradition--a lot of the humor is verbal rather than physical--and is uneven...

Author: NO WRITER ATTRIBUTED | Title: THE STAGE | 7/19/1974 | See Source »

Kenyon Martin, the artistic director of the company, conceived and directed the show and serves as the principal actor in its first portion, Beyond Words. He is an engaging mime with a bouyantly-light and sure feeling for comedy. He makes his varied talents readily plain during the nine short sketches of classical mime which combine to make Beyond Words the perfect introduction to this too-long ingnored stage craft. Dressed in clown's costume and white face, working without props and only occasionally with music, Martin almost miraculously manages to create a palpable world out of nothing...

Author: By Susan Cooke, | Title: Kenyon's Anarchic Clown Show | 7/12/1974 | See Source »

Martin's career as a performing mime began in 1960, with a year's break to study in Paris under Marcel Marceau, the acknowledged master in the field. Apparently it was a year well spent and Martin has learned his lessons. As a performer he has a gift for graceful brevity; each of his movements is sharply focused and pared down to its essential components. As an interpreter of the human condition he is equally successful. His rich comedy is often deepened and colored by a marvelously portrayed delicate poignancy...

Author: By Susan Cooke, | Title: Kenyon's Anarchic Clown Show | 7/12/1974 | See Source »

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