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Much of the production depends on mime, on suggesting rather than acting out. There are no props: even Caesar's mantle, which Antony addresses in his funeral oration, is made out of empty air. The assassination and battle scenes are elaborately choreographed and acted out tableaux, replete with ritualistic mock blows and falls. Somehow, they work in a way that a literal reading of the script never could. The scene of Caesar's ghost, mocking the actions of the servant as he holds the sword on which Brutus falls is utterly chilling, as no prop-ridden version could...

Author: By Michael Ryan, | Title: Julius Caesar | 1/11/1972 | See Source »

...pretend that Christ was under thirty when he died. At least that's the way he acts in this "musical adaptation of the Gospel According to St. Matthew," which comes complete with theological endorsement by none other than Harvey Cox. Godspell's Christ is part clown, part mime, and an all-around song-and-dance man. His is not to tread the weary way of the Via Dolorosa but to hoof instead down the memory lane of Tin Pan Alley...

Author: By Gregg J. Kilday, | Title: Godspell | 12/13/1971 | See Source »

...film was made in Mexico by Alexandro Jodorowsky, a Charles-Mansonish-looking, sincere, 40-year-old Chilean of Polish-Russian parentage who was once a member and composer for Marcel Marceau's mime-troupe. Between TV, talk shows he now runs a Mexico City theatre and writes a comic strip "Fabulas Panicas" ("Panic Fables") for a newspaper in Mexico City. Jodorowsky wrote, directed, and is the hero of the film...

Author: By Peter Shapiro, | Title: For A Few Icons More | 12/1/1971 | See Source »

...stage production must do more than merely present us with symbols. Director Emily Mann's idea to counteract the static nature of the play is to have dancers above and beside the stage mime some of the crucial events the characters are describing, particularly Sebastian's death. This kind of device is dangerous, but here it works, because the director has sense enough to use it sparingly, and never lets it get in the way of what's happening on stage...

Author: By Richard Bowker, | Title: Suddenly Last Summer | 11/13/1971 | See Source »

Meetings open to the entire University will be held to work out the nature of specific areas of the proposed festival. Various possibilities include; dance, theatre (along with mime and opera), television and film, the static visual arts, all kinds of music, and anything else which attracts student interest...

Author: By Ann Juergens, | Title: Festival Group Holds Meeting | 11/10/1971 | See Source »

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