Word: mimed
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...Franco-Belgian troubadour. He wrote the songs on which the show is based-all twenty-five of them. A cast of four (out of a rotating pool of seven) performs nightly; not only do they sing, but also they provide, thanks to director Moni Yakim, a bit of mime and dance...
...scene in the Western section of the movie portrays in mime the confrontation of the union delegate with management. The voice of the narrator insists, "But even in the presentation of his demands, the union representative is betraying the workers." That notion is intellectually exciting: simply placing the question in the language and symbols of the ruling class has betrayed the will of the strikers...
...mask of mortal exhaustion and despair that might have been painted by Edvard Munch. She smokes, paces, contemplates herself in a mirror, stares moodily, doubles over in a spasm of nausea. All of the contradictory qualities that are to make up her mordantly gripping performance she foreshadows in mime: hauteur and anxiety, narcissism and feelings of revulsion toward her femininity, commanding energy and naked vulnerability. In overture and miniature the theme has been inexorably set. What follows is inescapably colored by the fact that the audience has already been given a glimpse into Hedda's doomed soul...
...Ocdipus has just gouged out his eyes, the chorus begins to laugh, and then say things like "There's good luck and bad luck," or "that's fate, hahaha." In the final scene, after Ocdipus has stumbled blindly across the stage out the door the cast does a copulation mime that features a man with an enormous dildo and a woman with pubic hair drawn on her leotard. It is like the TV show "Shindig," as the chorus groans antiphonally up to a very convincing orgasm. Lights out. That's demystification, allright, but it's also a pretty cheap trick...
...borrowed Oriental Kabuki gestures for Oedipus and locasta, and this works very well, stylizing their "act" of semi-divinity almost to satire. For the Chorus he has assimilated the chanting and stick-beating rhythms of the Open Theater, the serpentine body piles of the Living Theater, and the copulation mime of Marat/Sade. All are dramatically sound, but one is aware of their unoriginality...