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...sculptress named Marisol is an exception. She has made her dolls grow up with her. One 7-ft. 4-in. figure, Baby Boy, even clutches a small doll, with Marisol's features, in his gigantic fist. Her lifesized, deadpan puppets in brightly painted wood mock and mime the postures of people whom she meets (see opposite page...

Author: /time Magazine | Title: Sculpture: The Dollmaker | 5/28/1965 | See Source »

Saturday morning I would have told you to dash over to the Loeb Experimental Theatre, at least half an hour before show time, to be sure of a seat. But now I can only tell you what you missed. Mime I was an entertaining, if sometimes awkward, hour of pantomime, certainly not exceptional in the context of traditional mime, but a remarkably brave performance by a Harvard junior...

Author: By Gregory P. Pressman, | Title: Mime I | 5/3/1965 | See Source »

Lorenzo Weisman cleverly varies his eight short skits, first presenting a grotesquely humorous one, then a witty one. Pantomine is usually associated in the United States with Marcel Marceau, and though Weisman wears the painted white face, the oversize bell-bottom trousers, and the ballet slippers of the French mime, he frequently dons the manner of The Little Tramp...

Author: By Gregory P. Pressman, | Title: Mime I | 5/3/1965 | See Source »

...fact, the best of Mime I is anything but funny. Weisman's adaptation of Marceau's skit "The Cage" is a lovingly prepared allegory on the prisoner of modern society, trapped by the invisible shield of Gardol. Weisman's flappy figure strolls out in a relaxed gait and walks right into a contracting glass cage. He escapes, by breaking the wall, but ignorantly stumbles back into the trap, and to destruction...

Author: By Gregory P. Pressman, | Title: Mime I | 5/3/1965 | See Source »

...that you know what you've missed, don't skip Mime II, which I hope will come soon. In this university too intent on speaking and writing, Weisman's next Mime should provide eloquent silence...

Author: By Gregory P. Pressman, | Title: Mime I | 5/3/1965 | See Source »

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