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...stylized gravity of ballet. Rashomon is rich in theater craft-Jo Mielziner's doom-dappled lighting, Laurence Rosenthal's eerily instrumented score, Oliver Messel's turntable forest of disenchantment. Apart from a U.N.-like babel of accents, the brilliant cast often achieves a triumph of mime over matter. Radiant, in white kimono, as netted moonlight, Claire Bloom is part lotus flower, part flower of evil. Noel Willman's samurai is a bred-in-the-bone aristocrat, and Rod Steiger's bandit a bite-to-the-bone outlaw...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Feb. 9, 1959 | 2/9/1959 | See Source »

Pantomime, according to the brilliant French mime, Marcel Marceau, is "the art of expressing feelings by attitudes and not a means of expressing words through gestures." When Skelton this week shut his mouth for half an hour, he demonstrated Marceau's point better than any of the other U.S. performers-Caesar. Gleason Kovacs-who have tinkered fitfully with the unspoken attitude. Skelton shuffled through the pathetic attempts of Freddie the Freeloader to cadge a Thanksgiving dinner from the Elite Restaurant. His kindness in returning a rich matron's purse was rewarded with no reward: a policeman rapped...

Author: /time Magazine | Title: Show Business: Golden Silence | 12/1/1958 | See Source »

...drilled precision in the mass movements and a kind of frenzied kinetic attack that fills the air with flying forms and blurs the stage with color. The group's most popular number is a satire on Russia's favorite sport, entitled Soccer; in a dazzling mixture of mime, dance and spring-legged acrobatics, the work defines the brawling progress of a match, from the opening whistle to a spectacular save at the goal...

Author: /time Magazine | Title: Music: SOVIET POP BALLET | 4/14/1958 | See Source »

...antics," they teamed up in 1927, and as bumblingly chivalrous misfits strove ineffectually to solve hopeless problems (e.g., while struggling to get a grand piano over a narrow suspension bridge across a horrifying chasm between two Alpine peaks, they would encounter, midway, a gorilla). Hardy was the master of mime and the bowler-bouncing doubletake, and, faced with Laurel's witless works, the withering glare. But it was brink-of-tears Laurel (who has also suffered a stroke) who somehow, always looking miserable, saved them...

Author: /time Magazine | Title: Milestones, Aug. 19, 1957 | 8/19/1957 | See Source »

...part of the mute boy, Toby, was written for a performer who must combine the abilities of dancer and mime. Eugene Gervasi distinguishes himself in both capacities. He quite brilliantly manages to make his body and hands express the boy's desperate eagerness to speak, and, what is perhaps more difficult, project his love for the medium's daughter...

Author: By Thomas K. Schwabacher, | Title: The Medium and The Telephone | 4/12/1957 | See Source »

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