Word: mimes
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Dates: during 1970-1979
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These, however, are obtained at a heavy cost in tedium. It is not merely that the brilliant material from the Peking Opera-that highly stylized mixture of comedy, acrobatics, music and mime that really has no Western equivalent-and popular Chinese dances-they put one pleasantly in mind of Radio City Music Hall choreography -are embedded in an evening in which an earnest soprano hymns the joys of revolutionary struggle, and musicians tootle and plink away on strange-sounding instruments. Nor does the dull excerpt from a revolutionary ballet showing a young woman abused by the minions of a wicked...
...Children of Paradise. A true epic, deeply compelling, visually unforgettable. Marcel Carne's masterpiece is set in eighteenth-century France, among the clowns, thieves, actors, pickpockets and peasants. It's impossible to do justice to this film in a mere paragraph, this story of three artists (an actor, a mime, and a murderer) who love the same woman, and must cope with their passion and jealousy in startlingly different ways. Carne's characters revel in theatrics; illusion and reality smash into each other, driving each man to the very brink of his art, to the terrifying edge of truth. Jean...
...Weary at times, and Monnen's Cockney accent seems to have a mind of its own, coming and going at will. But there's no need to carp. Acting in a Gilbert and Sullivan opera is mainly a question of facial expression and stage poise. All of the principals mime and move exceedingly well, and as for the chorus--suffice to say that they deliver a very fine ensemble performance...
...identity and mask, fantasy and madness, reality and imagination, or--as when she held the bunched skirt to her breast, moving her own mouth in the fishlike gulps of a nursing baby--the poignant tension between who we are and what we create. Yet dance, as distinct from brilliant mime, remained subsidiary and instrumental in this work: it was only one of the trajectories out of loneliness, one of the disguises for the unbearably vulnerable self...
...part is interwoven into Baryshnikov's life. He danced the wedding pas de deux at his graduation recital at the Kirov Ballet school in Leningrad. Basil was his first full-length role, one he danced often. Playing it, he says, taught him a great deal: "Technical control, mime, how to use a cape, how to give a flower to a girl, how to be funny, touching, a lover . . . a lot." He is giving those gifts now to the A.B.T. dancers and, one suspects, a profligate present to the company at the box office as well...