Word: mimi
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Manhattan last week was a handsome, vivacious brunette of ample presence whose Roman and Catholic distinctions are as the sands of the sea. A niece and godchild of Pope Leo XIII, Countess Anna Laetitia ("Mimi") Pecci-Blunt received her first communion at the hands of the Pontiff himself. Her father, Count Camillo Pecci, was Commander of the Noble Guards of the Vatican and a leader of the "Blacks" who, before Conciliation with Mussolini in 1929, upheld the Papal Court in Roman society against the "Whites" who honored the King. Her mother was the Spanish Marquesa des Bueno, descendant...
...Armand Tokatyan (Rodolfo) hit his top notes squarely but could not resist hanging on to them. Rosa Tentoni sang Mimi with more intelligence than warmth. Soprano Margaret Daum, who took the lead in Gian-Carlo Menotti's recent Amelia Goes to the Ball, overacted impudent Musetta, won praise for her fluty, delightful singing...
...Avenue (Twentieth Century-Fox), like most musicals, has for a plot a clothesline upon which the producers can hang whatever suits their fancy. This time the line is pretty raveled, the appendages superb. Gary Blake (Dick Powell) is starring in his own extravaganza. One act is a burlesque of Mimi Caraway (Madelein'e Carroll), world's richest girl. Furious Mimi slaps Gary's face, then falls in love with him. He changes the offensive skit, but Mona Merrick (Alice Faye), his jealous leading lady, ad libs to make it worse than ever. Mimi then sets...
Slim, 15-year-old Betty Jaynes (Betty Jane Schultz) stayed abed much of the week, kept silent a full day previous to her debut with the Chicago City Opera Company as tuberculous Mimi in La Boheme. So ably did she sing that she won 21 curtain calls, unanimous praise from Chicago critics, brought the orchestra cheering to its feet, two pleading cinemagents to hers...
...candles to the Virgin Mary, waited for months without attempting to speak. When she returned to the Metropolitan in 1921 she established herself still more strongly with the Opera's subscribers. There was no one to excel her as Manon, Juliette, Mélisande, Violetta in La Traviata, Mimi in La Bohème, Fiora in L'Amore...