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...select public schools. Heath did, however, attend Oxford's Balliol College, on an organ scholarship. Some acquaintances claim that they can still detect a trace of cockney in his acquired upper-class accent. "His vowels betray him," says a fellow Tory, who recalls that some party members would mimic Heath's peculiar accent behind his back...

Author: /time Magazine | Title: World: Unexpected Triumph | 6/29/1970 | See Source »

...feeling, and wondering when I'd first win the National Book Award. I began to sound like Lowell, too. Not that I could write the way he could: but I absorbed his diction the way I absorbed the rest of Harvard. And along with his speech. I began to mimic Lowell's aimless guilt and sense of inadequacy; I became tortured, at eighteen. I wanted to check into McLean. I didn't know why any more than I knew what Robert Lowell was talking about, but the vagueness was part of the attraction of the posture. I felt hermetic...

Author: By Jonathan Galassi, | Title: Writing What to Do About Poetry | 4/17/1970 | See Source »

...lived in role-creating institutions all our lives. Naturally we mimic the roles. For too long we mimicked these roles to protect ourselves-a survial mechanism. Now we are becoming free enough to shed the roles which we've picked up from the institutions which have imprisoned...

Author: By Carl Wittman, | Title: What Homosexuals Want From This Old World | 2/23/1970 | See Source »

...people must stop gauging their self respect by how well they mimic straight marriages. Gay marriages will have the same problems as straight ones except in burlesque. For the usual legitimacy and pressures which keep straight marriages together are absent, e.g. kids, what parents think, what neighbors think...

Author: By Carl Wittman, | Title: What Homosexuals Want From This Old World | 2/23/1970 | See Source »

...Cockeye obviously recalls Ben Turpin, and Billy Bright subtly evokes Buster Keaton. In actuality, the melancholy story is closest to that of the late Stan Laurel. The bitterness of The Comic arises from an incident in 1963, two years before Laurel's death, when Van Dyke decided to mimic Stan in his TV series. "We wanted to pay him for the rights to use his character," recalls Reiner, then producer of the show. "And we found that the rights belonged to another human being. The rights to the man's own personality! It was easy to get angry...

Author: /time Magazine | Title: Cinema: Burned-Out Star | 12/12/1969 | See Source »

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