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...Lost Men, where the strong man is J. Carrol Naish as the Oriental plantation boss Gregory Prin. She's a nightclub singer ("China Lily - Songstress of the Orient") and, again, a top-billed irrelevance. She is sent off the island, and doesn't appear in the climactic seven mins. of a 63 min film...
...highlights This nine-years-later sequel, with Ethan Hawke and Julie Delpy, to the Euro-romance Before Sunrise is one of those love-it-or-hate-it movies. You'd better love it if you're getting the DVD, since the only extra is a 10-min. making-of filmette...
...Tonight monologue, on Oct. 1, 1962, he told the audience, "I'm curious," and he allowed his social and cultural curiosity fairly free rein. The young host would acknowledge that he attended the opera (his favorite: Giordano's Andrea Chenier). He booked serious authors to fill the last 15 mins. of his then-90-min. broadcast. His musical guests eschewed rock 'n roll; they included crooners, opera tenors and sopranos, lots of jazz men, both in the spotlight (Joe Williams must have sung Every Day I Have the Blues 40 times in those days) and on the bandstand, which...
Green Day settled into a routine of churning out blink-and-they're-over records followed closely by triumphant world tours. They were not quite criminally lucky, but they weren't exactly paragons of ambition either. Sometimes, when they got bored, they would write a song longer than 3 min. Other times they would just flash the audience their underpants...
...want to be an American Idiot/ Don't want a nation under the new mania." Then Dirnt composed a strange 30-sec. cabaret ditty, which Armstrong and Cool liked so much that they wrote their own 30-sec. additions. Soon they had the beginnings of the 9-min., five-part Jesus of Suburbia, which introduced both Jesus, a character struggling against the country's "red-neck agenda," and the possibility of a full punk-rock opera. "At first, we wondered if we should even call it something like that," says Armstrong, "but, hell, why not make it as grand...