Word: mina
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...Harvard, Nair met and later married her photography teacher, Mitch Epstein; based in New York, the couple worked on each of her films together. She now lives in Uganda with her second husband and their two-years-old son. They bought the idyllic stone house in Kampala that Mina's family leaves behind at the outset of "Mississippi Masala." "I find myself wanting to put roots back into the homeland," she declares. "I just find myself going back there. That's why we've not had our child in America." Withdrawing from America, Nair dedicates herself to the flamboyance...
...black men that I was a Third World sister, somebody they could take out on date or go around with." Nair sought to complicate the Black or white model of race relations in America with what she calls a "hierarchy of colors," an insertion of brown in between, When Mina (Sarita Choudhury), an Indian born in Uganda but forced to leave during Idi Amin's expulsion of Asians in 1972, falls in love with Demetrius (Denzel Washington), a African American who owns his own carpet cleaning business, they test the "Third World" kinship cultivated between the black and Indian communities...
...Dracula is the world's oldest man, he is also the first man of the modern sexual revolution, awakening the erotic impulse in young women like flirtatious Lucy (Sadie Frost) and chaste Mina (Winona Ryder). They have known only puppy love; now they will taste wolf lust. And yet Dr. Van Helsing (Anthony Hopkins), who would purge Dracula's spirit from their bodies, is working his white magic on the wrong subjects. Dracula is the cursed soul in need of exorcism. He has "come across oceans and time" to find it. And only Mina, the avatar of his dead wife...
Enter Winona Ryder's character, Mina, an English schoolteacher and the nineteenth-century reincarnation of the Transylvanian princess. Dracula's glimpse of her photograph sets the stage for the love story which drives the film. Although a monster, Dracula is a rather compelling romantic hero--top hat, John Lennon glasses and all. Oldman successfully evokes the quirky, bordering on psychotic, vulnerability he brought to other peculiar roles in "Sid and Nancy" and "Track...
...fact that it would be unique to use techniques that are inexpensive and fresh and that no one has really seen in a long time." In fact, the novelty film craze of Victorian England makes its way into the plot of "Dracula," as the ardent vampire pursues Mina through the London cinematograph exhibition. The characters watch images on a screen as we watch them. The film constantly dances around the subject of images--projections on movie screens, shadows which act on their own accord, and a mirror, which Dracula smashes because it doesn't reflect him. There's a certain...