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Word: mind (lookup in dictionary) (lookup stats)
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...editors said that the novel, despite and because of it’s unfinished state, can function as a window into the literary master’s mind. Callahan said he hopes the work will humanize Ellison. Instead of being seen as a self-critical perfectionist, it is Callahan’s wish that Ellison be seen as a good-humored man who loved dogs and children and had a "defiant imagination...

Author: By T.G. Hale, CONTRIBUTING WRITER | Title: Editors Discuss Ralph Ellison's Novel Fragment | 2/9/2010 | See Source »

...Animation can explain whatever the mind of man can conceive,” said Walt Disney of the cinematographic field he helped pioneer. Since Disney popularized animation however, its creative potential has been largely underestimated and the genre has often been relegated to essentially childish themes. Even animated films such as “Toy Story” and “Up,” that received widespread critical acclaim, attained commercial success by marketing themselves as movies intended for pre-teens...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: A 'Frame by Frame' History | 2/9/2010 | See Source »

...thrill-seeking horror fans, the movie may not be perfect, but it is a blast, providing a breath of fresh air in an often formulaic genre. The film leaves a strong lasting impression, and it will likely creep unexpectedly into your mind, especially when hitting the slopes for that last...

Author: By Edward F. Coleman, CRIMSON STAFF WRITER | Title: Frozen | 2/9/2010 | See Source »

...seeing director Adam Green’s newest horror film “Frozen,” you may think twice about hitting the slopes. As Green says, if you are going to see “Frozen,” be ready for a “psychological mind-fuck of a movie.” But as Green explains, he also hopes to jump-start a revitalization of the independent horror film, a genre he claims has faded in the last decade...

Author: By Alex C. Nunnelly, CRIMSON STAFF WRITER | Title: 'Frozen' Director Adam Green Unthaws | 2/9/2010 | See Source »

...careful survey of many works of art, confirmed by experiments on perception, Cavanagh has discovered that the only requirements for realistic depictions of shadows are that they be transparent and darker than their immediate surroundings. He has shown that reflections, like shadows, are a mystery to the human mind; their representation in art has but a few of the limitations which govern reality. He maintains, in a similar vein as Livingstone, that Impressionist art is so appealing because intentional blurring may connect representations more directly to emotional centers in the brain rather than to conscious image-recognition areas. Cavanagh...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: Painting Perception | 2/9/2010 | See Source »

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