Word: minde
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Dates: during 1980-1989
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...national memory. Never have so many anniversaries been observed, so many nostalgias set glowing, as if retrospection were now the only safe and reliable line of sight. You are, among other things, what you remember, or believe you remember. The past has become a persistent presence in the American mind...
...sharpshooters on the airport roof and the shiny black Secret Service van with black tinted windows, an agent standing on the tailgate with his hand inside a black nylon bag that concealed his automatic weapon. The sunshine itself became sinister and a chill of premonition crossed the mind -- the dank American underdream -- and in a small spasm of panic one frisked the faces in the crowd, looking for the wrong one. The sudden foreboding had a specific primal antecedent in time and place and noon sunshine: the nerves were reaching back exactly to the imprint made upon the American mind...
...sociologist of religion Emile Durkheim once said that the contrast between the sacred and the profane is the widest and deepest of all contrasts that the human mind can make. In retrospect, in the churchier precincts of the memory, the election of 1960 has, for some, a numinous glow. The election was the prologue to everything that happened after. It was the American politics before the fall. Its protagonists went on to their high, dramatic fates. Perhaps part of the magic of that race is that we know the tale to its dramatic completion...
...Some had thought the 43-year-old Democrat a depthless rich-boy dreamboat who missed too many votes in the Senate. His only previous executive experience ended with his getting his PT boat sawed in half by a Japanese destroyer. But the first debate established him in the public mind as at least the equal of the two-term Vice President...
...Roland Barthes, the German critic Walter Benjamin, the filmmaker Jean-Luc Godard. (In her spare time, she has directed four films abroad.) All her work aims at defining a vaporous but crucial notion, the modern sensibility. She combines a metropolitan taste, omnivorous and hard to satisfy, with a transatlantic mind, drawn to European writers and filmmakers. Often she discusses them in the European form of fragments and epigrams. "I get impatient with linear forms in which you go from a to b to c." she explains. "It takes too long. I love to go faster...