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Word: minded (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Regardless of their genesis, Milner argues, the best proverbs easily transcend ethnic and geographical barriers. They deal in the fundamental stuff of life: love and war, birth and death, sickness and health, work and play. Like the human mind itself, they seek the core meaning of things and the satisfying symmetry of antithesis. They touch the taproots of the mind without requiring the service of the intellect...

Author: /time Magazine | Title: Language: The Wild Flowers of Thought | 3/14/1969 | See Source »

...answers must await further exploration of that greatest mystery of all: the processes of the mind. Milner's contention is that the proverb, the wild flower of human wisdom, may now help to direct the search into the deep...

Author: /time Magazine | Title: Language: The Wild Flowers of Thought | 3/14/1969 | See Source »

David Blocker, the oily minister in the Dollar Theater production, manages to convince you that his mind indeed flutters with the slightest breeze, and his cleverness serves his master only when it serves himself...

Author: By Jerald R. Gerst, | Title: Endor & Krapp's Last Tape | 3/14/1969 | See Source »

Krapp, despit the tangle of his mind and words, is a simple man. He traded passion for happiness and now he regrets it. The Minister was equally simple, trading happiness of knowledge. Perhaps that's what you'll be doing if you see these plays, but see them anyway. You may have already thrown away your heroism and happiness in hope of knowledge. It would be a shame to leave without the knowledge...

Author: By Jerald R. Gerst, | Title: Endor & Krapp's Last Tape | 3/14/1969 | See Source »

...stopped posing questions and begun taking them for granted. Shame is probably his greatest film--and it is the first to aim exclusively below the neck. We had expected "A Film from Ingmar Bergman" on the subject of war to be filled with long dialogues, endless questioning; in our mind's eye we can see a low-key closeup of Liv Ullman or Max von Sydow asking, "Why is this happening to us? Why doesn't it make any sense?" But this is precisely what Bergman avoids. For the first time we can walk out of a film...

Author: By David W. Boorstin, | Title: 'Shame': The New Bergman | 3/14/1969 | See Source »

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