Word: minded
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Ralph Fiennes, head nearly shaved, thin frame draped in mud-brown haberdashery, stands in an implied graveyard and works his mouth into a sour scowl as he says he doesn't mind the smell of corpses. "A trifle on the sweet side perhaps, a trifle heady, but how infinitely preferable to what the living emit, their feet, teeth, armpits, arses, sticky foreskins and frustrated ovules." Fiennes enumerates these body parts with slow precision, and in a tone of crescendoing disgust. It might be a litany of curses, a bill of criminal charges brought against a species about to be condemned...
...story, the TV show and the novels are all monologues, thus suitable for reading. And all take place in what the woman's voice in Eh Joe describes as "that penny farthing hell you call your mind." Some of Beckett's characters may never understand the harm they've caused or allowed, until "the agenbite of inwit" - a medieval phrase, often used by Beckett's mentor, James Joyce, to refer to the remorse of conscience - forces them into self-knowledge, into an act of contrition. In Eh Joe Neeson's face hardly moves a muscle; the play's director says...
Indeed, Kate'a may be right, or the Iraqi army's resources were too focused on the sermon and subsequent political demonstration to pay much mind to the rest of the neighborhood. But police and army checkpoints become noticeably fewer and farther between as one moves from the outskirts to the center of Sadr City. And in the heart of the slum, Mahdi Army fighters in yellow shirts operate checkpoints alongside Iraqi soldiers. "But it's not cooperation," laughs Mohanid, a Mahdi Army fighter. Most of the Iraqi soldiers have their faces covered to conceal their identities. At another intersection...
...Somewhere in the back of my mind, I must have remembered those picketers, because even in the daze of the moment my thoughts turned immediately to our driver. At the station before Queensway, Lancaster Gate, he had broken from protocol to announce to the pranksters holding up the doors not the scripted "Mind the closing doors" but the more personal "Please stop doing that or you will injure yourselves and end up in hospital." The statement had a slight "I-know-better" air, but it was also improvised, and showed concern for the passengers' well-being. I remembered this minor...
...like to tell you about what I saw under that train, about the image burned into my mind. I'd like to tell you I saw the pleading stare of a dying man; how, in an end-game of adrenaline and pain, his arms twitched and his eyes made clear that his desire for death had been betrayed by his body's instinct for survival. But to tell you I saw this would not be journalistically accurate, although true in the sense that I have seen this image repeatedly in my dreams. All I saw under the driver's carriage...