Word: minding
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Dates: during 1870-1879
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...Agnes demands the beauty and grace of person, the purity and loftiness of bearing, which Miss Ethel so easily gives to it. Although unequal to the passages of tragic emotion, these are so few that the lady's weakness in those parts leaves but little impression on the mind. Her greatest success is achieved in the first scene with her husband, where she shows him the drawings, and in the fourth act, where she endeavors to recall his truant love. In these scenes her light-comedy powers have full scope, and we recognize them to be of high order...
...that somebody chased Jones around the room, and finally threw a boot at his head as he disappeared through the door. All this is a little misty; but what followed is much clearer. I remember I sank into an arm-chair by the fire with no definite purpose in mind, but how long I sat thus I have no idea, - it might have been hours or minutes. Without my hearing any previous step in the hall the door opened, and I felt that some one entered. I thought it was Jones come back with more of his foolish, indefinite speeches...
...blazed with a youthful fire, and he seemed a boy again. With what glee did he tell of Harvard's one fire-engine, first at all fires (when perfectly convenient), drawn by a crowd of yelling students, and whose cold streams, when fires were less frequent and the student mind needed gentle relaxation, were often turned upon the windows of obnoxious tutors...
...first occupant of my room (the number is purposely suppressed), and while he was telling with great pride of once stealing a fat turkey, the glory of Cambridge poultry-yards, and roasting it in the very fireplace by which we were sitting, I had fully made up my mind to break my long silence and ask him if he knew anything about Eliot's Indian College or Harvard's only Indian graduate, Caleb Cheeshahteaumuck Indus, when the door suddenly opened, and, on looking around, I discovered that it was broad daylight, that the old man had vanished, and that...
...will be understood that the collection makes no moneyed profit from any of these sales. Its object is simply to foster the growing taste in the community for the higher forms of Art. Beauty cannot be known till seen; till the mind, indeed, is brought into somewhat familiar contact with it. By making beautiful objects easily accessible, the College may hope that its students will soon prefer these to the inane works which now decorate too many of their rooms. The keen interest which many of you are already showing is, I assure you, a source of sincere satisfaction...