Word: minding
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Dates: during 1970-1979
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When the movie opens we see Dylan singing onstage. He's traded in the whiteface for a Nixon mask, which he pulls off. Dylan grins--the first of may shots of his incredibly bad teeth--but revealing...ah hah, this is art now mind you...masks within masks. You see, Dylan doesn't play Dylan in this film; corpulent Ronnie Hawkins does. Dylan plays Renaldo, a somewhat logical cross between the Jack of Hearts and the lone rider of "Romance in Durango"--"Hot chile peppers in the blistering sun/Dust in my face..." Sara Loundes Dylan plays Clara, while Ronnie Blakelee...
...struck by the comments of the people who filed out behind me. "That was depressing," said a fellow college movie reviewer to his friends, "it brought back things you'd like to forget about." That's precisely what the collection of people who made Coming Home had in mind...
...bestselling Sardinian author from humble peasant origins provides the most convincing evidence since Bertolucci's "Last Tango in Paris" of the resilient vitality in Italian cinema, the recent excesses of Fellini, Antonioni, et al notwithstanding. The Taviani brothers' first film to receive international attention, it features a host of mind-gripping sequences destined to set apart "Padre, Padrone" as one of the most important films to cross the Atlantic in the late 1970s. To name only two: the unforgettable series of shots capturing the varied expressions of a village's collective lust, from a young boy sodomizing a mule...
Like the woman on the train from Princeton to Hoboken, both in New Jersey. Do not ask me why anyone of sound mind and body would leave Princeton only to go to Hoboken. Neither is one of your basic Top Ten U.S. Cities. In any case, she was from Creighton College, Neb., and she was on her first trip east, to see New York City with friends. She'd been born in Wyoming--down-home, God-fearing Wyoming--and it was only a matter of time before the rural Fundamentalist began discussing religion with me, your basic...
...picked out one piece of achieved sculpture from all the hack carvings littering the steps of a hotel for white tourists..." And when Castle tucks Sam into bed, he thinks: "He looked more African than his mother, and the memory of a famine photograph came to Castle's mind--a small corpse spread-eagled on desert sand, watched by a vulture." It's as if, the triumph of liberation forces having made it impossible for Greene's characters to go to colonialism, Greene is now bringing colonialism home to his characters...