Word: minding
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Dates: during 1990-1999
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Immediately, I e-mailed an invitation to our local Internet hero, America Online CEO Steve Case. A reply came by phone: Would we mind faxing the information...
...shocking videotapes that Harris and Klebold made before the Columbine massacre provide a unique glimpse into the antisocial mind, say those who have studied ASP. "What's frightening is how cold and calculated all this was, with no regard for the consequences," says Black. "They view it through their perverse world view, not seeing it as others would, which is a characteristic of antisocials." Though the two boys expressed remorse for the hurt they were about to cause their parents, their ability to shut off such pangs of guilt is also characteristic of ASP. "There was some remorseful thinking...
...writing Ripley, Highsmith had two bolts of brilliance. The first was to let the bad guy get away with his crimes. All mystery writers are murderers; they get into the mind, under the skin, of a killer, if only to determine how the foul deed can be accomplished. Then, typically, they bring in a detective to unravel the plot and cuff the culprit. Highsmith simply ditched the civilized pretense of justice avenged. She tore the final, comeuppance chapter out of Ripley's story, left him giddy with triumph--and let him flourish in four more books. The snake, having shed...
...your father walked out before you were born and your mother says she tried to abort you by guzzling turpentine, you may grow up with a sour view of humanity. Mary Patricia Plangman Highsmith--born in Fort Worth, Texas, in 1921--had murder on her mind from the first of her 23 novels, the 1950 Strangers on a Train. Alfred Hitchcock made a film of it a year later, though he dared include only one of the book's two murders. Soon after, the woman whom screenwriter Michael Tolkin (The Player) calls "our best expatriate since Henry James" left...
...film may confuse those unfamiliar with Chinese history, but never mind. Just pay heed to the glorious moviemaking. There is one scene that haunts the heart: an ethereally beautiful blind girl (Xun Zhou) kills herself after the assassin has eradicated the rest of her family. Few directors can create such indelible imagery; Chen does it in nearly every frame...