Word: minds
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...guess the thing that I'm most proud of is that I kept on writing poetry. I understand that poetry is sort of the source of everything I do. It's the source of my creativity. I go on using it as a way into my deeper mind. Often I find that poems predict what I'm going to do later in my own writing, and often I find that poems predict my life. So I think poetry is the most intense expression of feeling that we have. I've never given up writing it because it's essential...
...usually squandered.” The non-narrative discovery that Jacobs made in “Opening the 19th Century: 1896” ignited a new mission for him: creating the impression of a 3-D film without actually using the standard light filters.With this objective in mind, Jacobs designed what he calls his Nervous Magic Lantern. The lantern is comprised of two projectors with identical film strips shown out of sync by one or more frames. This allows the filmmaker to hold and manipulate one frame for as long as he wishes. With the addition of a spinning shutter...
...While for decades the brand has touted itself as the “alternative” soda, the beverage of choice for whatever letter generation the day’s youth happens to have been prescribed, “responsibility” is not a word that comes to mind when one thinks of Pepsi.In response to a recent two to five percent drop in sales across different PepsiCo. properties, the Pepsi cans, bottles, and advertisements with which we are all familiar have been redesigned. The original white tilde has shifted into a sort of off-kilter, swirling...
...where no one sees.” These elements fail to indicate any deeper, more enlightening reading of the story, and since they are not sufficiently integrated into the plot, they stand out glaringly. And, for a novel following in Faulkner’s footsteps to mimic the human mind as closely as possible, such flat goodwill and deeply poetic style undermines Phillips’ very premise. It stands, not as an exposition on the human psyche, but one of human ideals. And this isn’t anything new.—Staff writer Rebecca A. Schuetz...
...galvanizing, but it is not content with merely assaulting the viewer’s expectations; instead, it seeks to form a pact with the viewer. For his part, Fani-Kayode exposes his deepest struggles on celluloid. The viewer must fulfill his end of the bargain by keeping an open mind to the content of the photographs; otherwise, he cannot relate meaningfully to the ideas Fani-Kayode presents.Fani-Kayode understood that his audiences would be unaccustomed to the often spiritually and sexually infused nature of his photographs. And in fact, it is far too easy to retreat to preconceived notions...