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...Through his interest in jazz, Schuller met the pianist John Lewis of the Modern Jazz Quartet, and then proceeded to meet all of the jazz greats of the day, like Charlie Parker, Miles Davis and Charles Mingus. He also played french horn on the great Miles Davis/Gil Evans albums, Birth of the Cool (1950) and Porgy and Bess...

Author: By Anthony Cheung, CONTRIBUTING WRITER | Title: 'Of Reminiscences and Reflections': 75 Years of Gunther Schuller | 11/3/2000 | See Source »

...Lincoln Center and oiling up hits from the 1920s, Gershon and company were playing at a self-proclaimed "Bill Walton" night at a local bar (which Celtics star Bill Walton once actually attended) and soaring through versions of King Crimson tunes and souped-up takes on Ellington and Mingus...

Author: By Jon Natchez, CONTRIBUTING WRITER | Title: The Fuss about Russ | 4/14/2000 | See Source »

Along with the Modern Jazz Quartet and Charles Mingus, vocalist Connor was one of the first artists signed to Atlantic Records' fledgling jazz division in 1955. This compilation, drawn from her 12 albums for the label--most long unavailable--is proof she could hold her own in such rarefied company. Her virtues: a voice nearly as pure and clear as Ella Fitzgerald's, yet spiked at times with a smoky, un-Ella-like sensuality; and a deeply personal, even abstract sense of phrasing. How can you not like a singer who's brassy enough to belt Summertime as hard...

Author: /time Magazine | Title: Music: Warm Cool: The Atlantic Years | 4/5/1999 | See Source »

...Yellow Taxi and classic folk-pop albums like Blue, the Canadian-born Mitchell established herself as one of the most important singer-songwriters in rock. But she doesn't consider herself a folkie; she sees herself somewhere between Miles Davis and Bob Dylan--unclassifiable. She has bebopped with Charles Mingus and explored African rhythms with the warrior drums of Burundi. A record store of younger artists--Seal, Sarah McLachlan, even Janet Jackson--has acknowledged her influence. Virtually every act on the first Lilith Fair owed her a debt, if not royalties. But because she's been so groundbreaking, so musically...

Author: /time Magazine | Title: Music: Joni Mitchell: Burning Bright | 10/12/1998 | See Source »

...Monday Band then took to the stage with a rousing performance of "Take The 'A' Train," replete with mean brass and take-no-prisoners attitude. The band played six more tunes, including two more in the Ellington/Strayhorn vein, "Star-Crossed Lovers" and "Cottontail," Wardell Gray's "Twisted," Charles Mingus' "Fables of Faubus" and two premieres...

Author: By Stephane F. Ryder, | Title: A Snazzy Silver Anniversary | 4/17/1997 | See Source »

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