Word: minna
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Dates: during 1930-1939
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...direction of Rouben Mamoulian. Setting and Costumes by M. S. Dobuzinsky. Executed by Raymond Sovey. Being presented now at the Tremont Theatre by the Theatre Guild as the third in its series of Boston productions with the following cast: Herr Shaaf Charles Kraus Anna Semenova (Islaev's mother) Minna Phillips Natalie Petrovna (Islaev's wife) Alla Nazimova Mikhail Aleksandrovitch Rakitin Earle Larrimore Lizaveta Bogdanovna (a companion) Virginia Gregori Kolia (Islaev's son) Norman Williams Aleksei Nikolaevich Bieliaev (Kolia's tutor) James Todd Matviei (A servant) Walter Coy Ignati Ilich Spigelski (A doctor) Cecil Yapp Viera Aleksandrovna (Islaev's ward) Franesca...
Slowly, tediously is passing Cosima Wagner, once the high-handed daughter of Composer Franz Liszt, once the wife of Composer Hans von Bulow. It was while married to von Bulow that she met Richard Wagner, himself married to an exactress, Minna Planer. Minna had shared Wagner's poverty, put up with his adulteries, including the Mathilde Wesendonck affair which supposedly inspired Tristan und Isolde. But Wagner left Minna to live with Cosima, 25 years his junior. She bore him three children-before he married her, took her to live at the Villa Wahnfried provided at Bayreuth by Mad King...
...creating in its stead one of a mean, unscrupulous, supremely arrogant person; one which comes as no surprise to the unprejudiced Wagnerian. In so doing they point darkly at the dying lady at Bayreuth, accuse her of influencing Wagner, even of distorting facts herself for the sake of proving Minna a shrewish, ill-bred woman and herself the ultimate inspiration, the great love of Wagner's life. That the Burrell documents provide a strong case none will deny. Minna was evidently a generous, badly abused soul and Wagner loved her. But Authors Hum and Root have weakened their argument...
...whose adroitness as a tap dancer is marred only by awkward elbows, are the chief contributors to a pleasant diversion which must still be mainly credited to the exuberant chord progressions of Brother George Gershwin, the deliberately bad or complex rhymes of Brother Ira. Nancy's Private Affair. Minna Gombell, a fulsome beauty, plays the heroine of this romance by Myron C. Fagan, in which a wife who has allowed herself the pleasure of wearing sturdy woolen stockings, comfortable sweaters and helpful horn-rimmed glasses, learns of an old necessity and reverts to fragile silk hose, mascara, rouge, lipstick...