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Word: minnelli (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...audience in the U.S. and Europe had discovered Erté. Former Vogue Editor Diana Vreeland declared that no one in the 20th century had had a greater influence on fashion. Bar bra Streisand, Liza Minnelli and other Hollywood folk began collecting his original costume and scenic designs. The Metropolitan Museum of Art in New York City has bought more than 200 of his drawings and paintings...

Author: /time Magazine | Title: Design: Erte Irrepressible at 90 | 12/13/1982 | See Source »

...gutter slush into the theater. There was a satisfactory array of the famous on hand, and the famous-for-being-famous, somewhat too swaddled against the cold to glitter: Arlene Francis, Paul Simon, Norman Mailer, Mrs. Frank Sinatra, Adolph Green, Arthur Schlesinger Jr., Andy Warhol, Christopher Walken and Liza Minnelli. It is important at such events that especially celebrated ladies be whisked quickly through the crowd before the groundlings can become unruly in their worship, and Nastassia Kinski, one of the film's stars, wanly beautiful in a white coat, was duly whisked. On the most elementary level, Coppola...

Author: /time Magazine | Title: Cinema: Going for the Cheeky Gamble | 1/25/1982 | See Source »

...Clear Day You Can See Forever (1970) d. Vincente Minnelli...

Author: NO WRITER ATTRIBUTED | Title: The Films of Jack Nicholson | 11/12/1981 | See Source »

...issue contains about a dozen lavish photo tours of opulent homes that have been transformed by top interior decorators. Average decorating budget: $200,000. Frequent peeks into celebrity homes add to the vicarious thrills. In recent years Digest readers have visited the likes of Ali MacGraw, Robert Redford, Liza Minnelli and Barbra Streisand. Says Rense: "Digest is an elitist magazine. But I don't think there is anything wrong with being rich...

Author: /time Magazine | Title: Press: Geo Goes Upbeat-and Uptown | 11/9/1981 | See Source »

...movie fails in its (fortunately rare) attempts at seriousness. When Moore sobers up, the movie loses its sparkle and falls flat. Gordon's writing talents end with the jokes--he lacks the necessary subtlety to convey real emotion. Minnelli. Moor and John Gielgud (brilliant as Arthur's paternal butler) utter lines to each other now and then that are supposed to mean things but actually don't, and the audience squirms in its collective seats and waits for Moore to go back on the sauce. When Gielgud has difficulties near the end, you want to feel...

Author: By Charles W. Slack, | Title: Rich Little Rich Boy | 7/24/1981 | See Source »

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