Word: minoring
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...power that wants to impose its political ideals on other countries. Despite the oft-voiced desire for "partnership" between the two nations, it seems that there is little for them to agree on. While the mistaken bombing of the Chinese embassy in Belgrade was, in and of itself, a minor incident, it has removed the Band-Aids that had been applied to cover this gaping wound in the U.S.-China relationship. Good relations with China are a legitimate and worthy goal; however, unless they are based on a real and substantial foundation, events such as the May 7 bombing will...
...seems, the coalition has been heard by some in University Hall. Recently the College has promised to improve Sexual Assault Sexual Harassment (SASH) training and to make minor reforms to first-year orientation to promote more awareness about sexual assault and rape...
...wrote that "The fascination of what's difficult/Has dried the sap out of my veins, and rent/Spontaneous joy and natural content/Out of my heart." Winning a Hoopes Prize or landing a killer job is difficult, hence in part its fascination. Toilet ball, by comparison, is easy. There is no minor league of toilet ball, no farm team where you struggle for years before you make the big time. There are no screaming fans either. When you walk on to the playing field for the first time, you're the equal of every toilet ball player that's ever lived...
...flat minor Scherzo, the piece used by that eerie little Russian girl to intimidate Richard Dreyfus in "The Competition," came off worse. Its main weakness was lack of dynamic range--or rather, lack of sensitive dynamic range, as one tended to be awed by Zimerman's ferocious key depth without forgetting the harsh sounds it sometimes produced. A stricter observance of tempi would also have been in order; this was Chopin, not Debussy. In any case the risks he took at high speeds were admirable, and his confident, blind leaps across three octaves are a reproach to showier pianists...
...night's finest performance came in the F minor Fantasy, Op. 49. The astonishing scope of this late masterpiece requires a pianist with patience and experience. Zimerman was comfortable in the realm of the Fantasy's quirks--a march-like theme at the outset is never recapitulated; the piece ends in the relative major, not the parallel major--which place it far outside the world of the salon. The virtues of his playing were many: sizzling arpeggios, perfect pedaling, nimble wrist octaves, barnburning virtuosity in the big contrary-motion sweeps, so much that he lifted himself off the bench...