Word: mins
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Dear Marie: I read every story by Jeffrey A. Zucker and I think his writing is just wonderful. What is he like? What does he look like? Is he as sexy as he sounds? Can I meet him? Also, the pictures by Ji. H. Min that go along with those stories are great as well. Could I meet him, too? Even if I can't, will you give them my phone number? --Melting in Matthews...
Sports Editor Jeffrey A. Zucker, a former Playgirl centerfold, enjoys tennis and video games. JI H. Min, The Crimson's Photo Chairman, aspires to the same position at The Wall Street Journal and is also a video game aficionado. You can meet both of them in our newsroom tonight and tomorrow night at 7:30 p.m., when you can also learn about the fall comp, Free beer here...
Mondale appeared tired and read his 25-min. speech in a lackluster singsong. ("The speech was typed better than it was read," groaned one of his supporters.) Nevertheless, the force and eloquence of the language prompted his obviously sympathetic audience to interrupt him with 24 ovations. The speech struck hard and often at Reagan's remark about intolerance. "B'nai B'rith is opposed to Mr. Reagan's [school-prayer] amendment; I would not call you intolerant of religion," said Mondale. "Baptists, Episcopalians, Methodists, Presbyterians, Lutherans and other church groups also oppose his amendment. And they...
...with the last-minute double-checking of equipment might miss some critical signals. Blast-off was deferred for 24 hrs., as computer programmers scrambled to write a "patch" over the errant software instructions. Even on the successful launch date, Aug. 30, Discovery's crew marked time for 7 min. while three wandering private planes were chased away from the Cape Canaveral area. Said Shuttle Operations Director Thomas Utsman: "I had a feeling that a black cloud was following...
...result is a grand, sprawling entertainment that incites enthrallment for much of its 2 hr. 38 min. Shaffer's screenplay retains many of the play's epigrammatic fulminations, deftly synopsizes whole sections, transforms Mozart's father from a hectoring apparition to an onscreen tyrant, and provides a thrilling new climax in which the dying Mozart dictates his Requiem to a Salieri racked with guilt, jealousy and awe. If the operatic excerpts occasionally impede dramatic flow, they capture the Mozartian spirit as well as comment, with typical Forman bravura, on the theme of an oaf who makes miracles...