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...underlined by a snap-pizzicato line in the low strings; a good-natured, bibulous ensemble lauding the joys of wine. In his handling of the choruses, Rochberg is especially skillful; indeed the final chorus, extolling the virtue of confidence, recalls the Falstaffian spirit of Verdi. For the interpolated minstrel show-the liveliest and dramatically most effective scene, although almost entirely unrelated to the rest of the work-Rochberg has composed memorably effervescent mock folk music...

Author: /time Magazine | Title: Music: In Santa Fe, a Worthy Failure | 8/16/1982 | See Source »

...failure of The Confidence Man does not necessarily mean a corresponding failure of musical idiom. The quality of Rochberg's lyric invention is high, and the fast-moving sequences, such as the minstrel show, are handled with dashing technical assurance. Even the two scenes with the angel, ironic though they are, display a strong command of modern musical materials. Rochberg has issued a challenge in The Confidence Man, to both himself and other composers, a challenge to make modern music speak again in the language it inherited from the 18th and 19th centuries. Whether it can be done persuasively...

Author: /time Magazine | Title: Music: In Santa Fe, a Worthy Failure | 8/16/1982 | See Source »

...looking very white." Statesman, sportsman, raconteur, eccentric gourmet, General Idi Amin Dada made a lot of people blanch in his eight years as Uganda's dictator. With Amin now in asylum in Saudi Arabia, Director Sharad Patel has felt free to turn this biopic into a minstrel show of atrocity. Amin struts across his domain like Kong with a salad of Day-Glo medals pinned to his chest. Amin expels Asian workers from Uganda and distributes the spoils to his private army of hitmen. Amin services an interracial harem. Amin juggles the lives of Arab radicals and Jewish captives...

Author: /time Magazine | Title: Cinema: Rushes: Apr. 5, 1982 | 4/5/1982 | See Source »

There were empty seats in London's Adelphi Theater a fortnight ago, and those loyalists who had come were applauding their own memories as much as the D'Oyly Carte production of Gilbert and Sullivan's Mikado. Listeners knew not just Nanki-Poo's Wandering Minstrel ballad by heart, they knew Pooh-Bah's dialogue. They would have grumbled if any of the costumes, designed by Charles Ricketts in 1926, had been changed. But of course, there were no changes...

Author: /time Magazine | Title: Music: Final Curtain for D'Oyly Carte | 3/8/1982 | See Source »

...time, there was not much the students could do to protect themselves--short of becoming politically neutral. Some wore paper bags over their heads during rallies. One group of students formed a wandering minstrel troupe and roamed from House to House singing to the tune of "That's My Baby" about the CRR: "You're right, we're responsible; yes, you are reprehensible...

Author: By Susan C. Faludi, | Title: The University Tries its Students: Case Histories From the CRR File | 12/17/1980 | See Source »

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