Word: minueting
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...challenging the justice of that epithet. How rash was her challenge? A large audience went to see. For them she danced. In chevelure of curled peruke, to a Mozart serenade, she swished her silken panniers, as did the belles of Bath, treading in the formal maze of a minuet, all the pride and fashion of the 18th Century caught in pattern of her narrow slippers. She danced a "Hurdy-Gurdy" dance like a marionette of ivory pulled on silver wires, to an imaginary music-box that slowly wound down and down. In gold boots and scarlet gown, she glided through...
...Davison's program for this morning's organ recital at 9 o'clock in Appleton Chapel following the morning chapel service will be as follows: Minuet Handel Fugue in G Minor Bach
There will be half-way gentlemen among that famous gallery of censors, neither affronted or approving, who will bethink them sadly of the beauty of "lost causes"--the minuet, quadrille, polka, and other dances once softened by a delicate formalism and ritualistic sobriety now in disuse. Even an early nineteenth century dance manual showed sings of a growing decadence, the passing of the classical restraint and solemnity of the dance of puritanical epochs. Couples were admonished above all things, thus implying that it was not the custom, "to wear a pleasing countenance; for dancing is certainly supposed...
Those who journey to Parnassus go at their particular gaits. Some hobble, like Carlyle. Some stagger, like Henry James. Some swing along gracefully, like Addison. Some minuet, like Stevenson. Some swagger, like Marlowe. A great, great many simply walk. By courtesy we name all manners of proceeding " style " " literary style." The road to the White House is not identical with the pathway up Parnassus. Yet those who walk must have a stride, those who speak must have a style, and Mr. Coolidge has just presented the public with a new specimen of the Presidential literary gait-in 1,120 words...
...astonishingly slight handicap throughout, prevents any understanding of the dialogue, but the action to so vivid and the pantomime so unmistakable that one's appreciation becomes shockingly ribald. Besides, there is the beautiful duet called "Silence", the exquisite scenic effect of the "See-Saw" and perfect artistry of the "Minuet", and perhaps there are now one or two of the sixteen which have not been touched. But after all; too much cannot be said of the merit of these Russians; they are distinctive, they are refreshing, and in America, they are unique...