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...other hand, Jamila A. Roos's Lauretta is winsome. She draws the first spontaneous applause of the evening as her voice rises to the challenge of the opera's most famous set-piece, the aria "O mio babbino caro." Unfortunately, as she sings in Italian, most of the audience misses her tender appeal to her dear father, and her vow to drown herself in the Arno if her love for Rinuccio is thwarted...

Author: By John D. Shepherd, | Title: Dunster House Scales Puccini | 2/23/1995 | See Source »

...limits of translation appear, however, inthe decision to leave Lauretta's famous aria inGianni Schicchi, the vocal gem of theevening, "O mio babbino caro" in Italian.Understandably, the translators have balked at therisk of mangling an operatic favorite, but thisentails a sacrifice of clarity and dramatic unity.As a result, the character of Lauretta remainsopaque...

Author: By John D. Shepherd, | Title: Dunster House Scales Puccini | 2/23/1995 | See Source »

Original compositions on this album tend to sound uneventful and sometimes unoriginal, and while it's admirable that Grisman and Rice included string versions of such diverse tunes as the Django Reinhardt/Stephane Grapelli jazz tune "Swing '42," and the perennial Italian wedding favorite "O Sole Mio," neither of these tunes have any relation to American folk music, nor do they sound particularly interesting performed on guitar and mandolin. Sometimes a jazz tune is just plain better when played by jazz musicians on traditional jazz instruments...

Author: By James B. Loeffler, | Title: Tone Poems Lacks Expressiveness | 12/15/1994 | See Source »

Warren, as the lovestruck Countess, lyrically opens the second act with her sorrowful "Porgi, amor, qualche ristoro al mio duolo, a mieis sospiri" aria ("Grant, love, that relief to my sorrow, to my sighing"). Aided by a dramatic blood-red backdrop, she expresses her grief over her unrequieted love for the Count. Although wooden at first, Warren's Countess warmed up as the action heated up. She does, however, keep a cool distance from the audience as well as from the Count, who is well-played by Kravitz...

Author: By Lea A. Saslav, | Title: Marriage at Lowell House | 3/17/1989 | See Source »

Loraine: Today is today. Tomorrow is tomorrow. Who's left? Ben and Laura. Hey, Ben and Laura! Laurie, Karla, did you ever watch the show Duet? Did you do something, Annie Hartz? Ay Dios mio! Ayudame! ((She hoists two bags of trash over her shoulders and dumps them in the hall...

Author: /time Magazine | Title: In New Jersey: Day Care with a Lot of Caring | 3/28/1988 | See Source »

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