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...proposal was first made during a Nov. 18 meeting in Tehran between Vladimir Vinogradov, the Soviet Ambassador to Iran, and Iranian Prime Minister Mir Hossein Mousavi...

Author: /time Magazine | Title: Iran: Moscow Mission | 1/18/1982 | See Source »

...describe the reactions of French artists to the Spanish Civil War. Spain was the test of political alignment for artists and intellectuals. It inspired the most famous political image in modern art, Guernica, and evoked some remarkable images from Spaniards other than Picasso, such as Salvador Dali and Joan Miró. Guernica could not be lent to this exhibition, although one gets some hint of the fervors from Miró's design for a poster, Aidez l'Espagne, and from Dali's hallucinated Cannibalisme d'Automne. But most of the work by French artists in support...

Author: /time Magazine | Title: Art: Paris 1937-1957: An Elegy | 10/12/1981 | See Source »

...diminutive white-haired man bowed humbly before the towering figure of the Spanish King. "Mi amigo, Don Juan Carlos," he called the monarch familiarly. The King, who stands 6 ft. 3 in., could not object. For within the domain of painting, Joan Miró is himself a reigning giant. Miró, 5 ft. and 87 years old, was honored last week in a day of ceremonies crowned by the presentation by Juan Carlos of Spain's gold medal of fine arts. Among the other events: the opening of an exhibition of Miró's works in Madrid...

Author: /time Magazine | Title: People, Oct. 20, 1980 | 10/20/1980 | See Source »

Years later, Arshile Gorky and Jackson Pollock were to seize on this evocative space, with its foreground frieze of totemic shapes, and develop their art upon it. Looking back in 1968, William Rubin of Manhattan's Museum of Modern Art said that Miró "is the major European progenitor of abstract expressionism." Miró would never have thought of himself as a progenitor. But the idea of an undefined background space haunted him. Over the years he spread across it an increasingly personalized iconography of symbols, of figures and faces and shapes. Miró's images run back...

Author: /time Magazine | Title: Art: Voyager into Indeterminate Space | 4/28/1980 | See Source »

...life, Miró loved to put poetic titles on his pictures. Example: The Nightingale's Song at Midnight and Morning Rain, 1940. Find the nightingale? The song? The rain? The viewer may never puzzle out any of these challenges, but he will have been forced to let his imagination investigate the whole of the picture...

Author: /time Magazine | Title: Art: Voyager into Indeterminate Space | 4/28/1980 | See Source »

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