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Rooms at the Top. The big four are by no means the only places in Manhattan to buy a masterwork. For certain living masters-Miró, Giacometti or Balthus, for instance-the place to go is the gallery owned by Pierre Matisse, son of Painter Henri Matisse. The Perls Galleries represent Calder and Archipenko, and they do a reputable business in "painters of the Picasso generation" like Braque, Modigliani, Soutine and Utrillo. Catherine Viviano on East 57th Street is strong on modern Italians like Afro and Cremonini, but she also represents the surrealist Kay Sage and the estate...

Author: /time Magazine | Title: Art: Best Show in Town | 11/16/1962 | See Source »

Curses for Friends. Last week a touch of mass schizophrenia rubbed off on West Berliners. Normally they are a cynical, cocksure breed who thumb their noses at trouble. "Mir kann keener," they brag in the local dialect. "No one can push me around." In 17 years as a cockpit of the cold war, West Berlin has usually reacted more coolly to its recurring alarums than Washington or Whitehall. Even the Wall seemed barely to have dented the city's composure...

Author: /time Magazine | Title: World: Wall of Shame | 8/31/1962 | See Source »

...painters of his generation -and also one of the most enigmatic. He had been a favorite pupil of Lyonel Feininger at the Bauhaus, yet he showed no trace of Feininger's misty geometry. As a colorist, Gilles was a descendant of the expressionists; he also borrowed from Klee, Miró, Munch, and even Picasso...

Author: /time Magazine | Title: Art: The Hinterside of Life | 7/13/1962 | See Source »

...trip, which grew out of an invitation from an Iranian "to come to Teheran and visit my home," is expected to last three months. The tentative route will include Paris, Rome, Istanbul, Teheran, Lahore, New Delhi, the palace of the Mir of Gilgit and Amritsan Threturn route will possibly include Afghanistan and the Soviet Union...

Author: NO WRITER ATTRIBUTED | Title: Trip to India | 5/25/1962 | See Source »

Madame Schwarzkopf, looking radiant and lovely in green silk, waited with queenly patience for the many latecomers who tramped in throughout the whole first section of the program, doing their best to mar the splendid repose of the opening song, Bach's Bist Du bei mir. Those who knew Madame Schwarzkopf's singing only from her recordings may have been a bit disappointed by the first two groups of songs, for her voice has not quite the purity and control of four or five years ago, and the acoustics of the HST seem bright and clear almost to a fault...

Author: By Kenneth A. Bleeth, | Title: Elisabeth Schwarzkopf | 4/20/1962 | See Source »

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