Word: miramaxers
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...bacchanalian ways and Tarantino's saucy self-confidence are nothing new, Hamsher's gonzo take on NBK's evolution offers an insider's view of show-biz egos. Among the choice bits: details about Stone's stoned-out mushroom trip in the desert and Tarantino's close connection with Miramax, the company that released his hits Pulp Fiction and From Dusk till Dawn. Writes Hamsher: "Quentin had been running his mouth off for months, telling people that he made all the decisions at Miramax, and that when he snapped his fingers, HARVEY WEINSTEIN jumped." A spokesperson for Tarantino says...
...right, it's summer. You want a foreign-language film that doesn't play like a final exam in Comparative Cultures. So try Shall We Dance?, which Miramax Films has cannily positioned as successor to its easygoing humanist hits Like Water for Chocolate and Il Postino. Masayuki Suo's romantic comedy, the winner of 13 Japanese Academy Awards, at times teeters dangerously close to the excesses of another Miramax crowd pleaser, Strictly Ballroom. The film has such a weakness for the easy incongruity (short men dancing with tall women--isn't that hilarious?) that it could almost be Australian...
...rise of independently produced films against the ever more formulaic product of the major studios. Each January at Sundance, filmmakers whose edge hasn't been worn smooth by Hollywood meet distributors willing to take a chance on chancy films. (One of those is '97 Influential Harvey Weinstein of Miramax.) This year's Oscars should have been called the Indie 500. Four of the five Best Picture nominees were independents. Two big winners, Fargo and Shine, were launched at Sundance...
...Miramax has always had a genius for picking films. Sometimes it picks them out of the gutter. The Miramax tactic: find a pretty orphan, take it home, dress it up and show it off. When TriStar said no to Pulp Fiction, the Weinsteins eagerly said yes and snagged their biggest hit ever. Last year 20th Century Fox backed out of The English Patient just before the film was to begin shooting. Instead Fox pinned its Oscar hopes on another sweeping morality play, The Crucible--only to see it swept away, at the box office and in the Oscar race...
...movie executive would prefer fathering films to merely adopting them. But while you can make a lot of money producing pictures, you can also lose a lot. Miramax did indeed tank with some of its early in-house productions, like The Lemon Sisters with Diane Keaton and The Long Walk Home with Sissy Spacek and Whoopi Goldberg. It has been more successful with genre films birthed by Bob Weinstein's Dimension Films. Dimension plans sequels to Scream, From Dusk Till Dawn and Total Recall, originally made by another studio. Miramax, which traditionally had more pickups than homegrown product, is making...