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...circumstantial evidence, rumor and hearsay. The FBI does shoulder considerable blame for leaking Jewell's identity to the press. Eager to close the case, they counted their chickens before they hatched and presumed guilty a man who turned out to be innocent. Detectives tried to abuse Richard Jewell's Miranda rights and for that they deserve criticism...

Author: By Ethan M. Tucker, | Title: Partners In Crime | 10/31/1996 | See Source »

...Harvard-Radcliffe Dance Company also has run into scheduling conflicts with the OFA. Co-director Miranda J. Hodgson '97 praises the new Studio 74 rehearsal space and the grant money her organization receives from the OFA "without which we could not stay solvent." But she complains of the difficulty of performing at Radcliffe Dance Center because the Company must clear its stage set (including flats, scrim, strip lights and trees) after every performance to accommodate dance classes given by Radcliffe. Performance, it seems, gets second priority at Radcliffe...

Author: NO WRITER ATTRIBUTED | Title: The Invisible Gardener | 10/1/1996 | See Source »

Back on the movie screen, some of the big names besides Bertolucci were disappointing their fans. Robert Altman's Kansas City, starring Jennifer Jason Leigh and Miranda Richardson, shrouds the aimless bustle of its plot--kidnapping, murder and political maneuvering set against a 1934 jazz milieu--in an opium haze of dramatic anomie. Stephen Frears' The Van, third in the series that includes The Commitments and The Snapper, is a noisy mess, with shouting in lieu of wit and brawls stunt-doubling for character conflict. But this pub/pug violence was mild next to the atrocities in David Cronenberg's Crash...

Author: /time Magazine | Title: CINEMA: ALL YOU NEED IS HYPE | 5/27/1996 | See Source »

...Raised in Captivity" opens with the funeral of Miranda Bliss, the mother of Sebastian Bliss (Padraic O'Reilly) and Bernadette Dixon (Nicole Columbus). The funeral brings together Bernadette and Sebastian for the first time in years and forces them and the people close to them to re-evaluate the purpose of their lives. Sebastian, we soon learn, isn't the small-town boy made good that everyone takes him for; in fact, he's lonely and deeply in debt. As Sebastian searches for a way to change his life, Kip Dixon (Jed Silverstein), Bernadette's husband, undergoes a similar crisis...

Author: NO WRITER ATTRIBUTED | Title: raised in captivity | 5/2/1996 | See Source »

...ANTONIO MIRANDA...

Author: NO WRITER ATTRIBUTED | Title: The Harvard Crimson proudly welcomes its 123rd executive board: | 1/31/1996 | See Source »

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