Word: mirella
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Puccini: La Bohème (Mirella Freni, Luciano Pavarotti, Berlin Philharmonic, Herbert von Karajan, conductor; London; 2 LPs; $11.96). The LP era has had three recordings of Bohème good enough to be called great. The first two were the Toscanini (with Licia Albanese and Jan Peerce as Mimi and Rodolfo) and the Beecham (Victoria de los Angeles and Jussi Bjoerling), both still available in low-priced reissues. Here is the third, with the unpredictable Karajan sculpting the orchestral part with an irresistible flow befitting the Toscanini approach and a touching songfulness that Beecham might have applauded. The bella...
Filipino Massage. The book-described by her husband last week as "a straightforward approach to narcissism" -is saturated with beauty tips and tidbits, both from the author and her friends. Model Mirella Haggiag, for example, recommends going back to sleep after the breakfast tray arrives: Princess Ira von Furstenburg prefers dinners alone (a man is sure to order "pasta or curry with rice, and how can one resist?"). Mrs. J. Paul Getty Jr. imports vegetarian pté from Holland to London, uses no eyeliner but the pure kohl she collects in Marrakesh. Emilio Pucci is high on massage ("I have...
...only illustrates the composer's remarkable capacity for turning great poetry into sentimental salon entertainment. Furthermore, the performance was sadly deficient in the French accent, both in words and music. Franco Corelli nearly strangled on every attempt to produce the pure Gallic B-flat, while all of Soprano Mirella Freni's undeniable charm was defeated by the pallid music she was asked to sing. New Director Paul-Emile Deiber grouped his singers around Rolf Gerard's workaday sets in a series of static tableaux that had little to do with Shakespeare, Gounod, or anything in that vast...
DONIZETTI: L'ELISIR D'AMORE (2 LPs; Angel). The Elixir of Love is an 1832 comic opera that is a delightful collection of bouncy silliness couched in florid melody. Mirella Freni and Nicolai Gedda reproduce their entrancing Metropolitan Opera performances of two seasons ago, and they are complemented by the astonishing bass of Renato Capecchi, who combines unbelievable agility with mahogany-like richness in the role of a quack selling a love potion...
...taxes," explains Bing, "so I have to cope with the names of their dogs listed as secretaries, and of their wives as managers." Birgit Nilsson once paid Bing a double-edged tribute by listing him on her income-tax report as a dependent. At all events, as Italian Soprano Mirella Freni says, "The Met is marvelous experience, a theater where one works with tranquillity in a warm, almost friendly atmosphere without nervousness. In Italy you can feel this nervousness all around...