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Kennaugh recently retired from his post as an oncologist at HMS and his appointment at the Beth Israel Deaconess Medical Center in Boston. Kennaugh and Amadio had over 100 pieces in their collection, according to Amadio, and works by Matisse, Rembrandt, Miro, Renoir, and Pollock are among the art that the two allege was stolen...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Suspects Identified in Art Theft | 10/8/2009 | See Source »

...owners of the artwork, retired Harvard doctor Ralph Kennaugh and Angelo B. Amadio, reported that the stolen art included works by Matisse, Miro, Rembrandt, and Renoir. The most valuable piece was a Jackson Pollock painting estimated to be worth $20 million.The paintings were part of a collection of over 100 pieces of artwork...

Author: By CAROLINE A. SOLOMON, CONTRIBUTING WRITER | Title: Harvard Doctor’s Paintings Stolen | 10/1/2009 | See Source »

...Wall. New York's MoMA takes an intensive look at a decade of work by Spanish artist Joan Miró, with Joan Miró: Painting and Anti-Painting 1927-1937. The show is based around Miro's famous declaration that he wanted to "assassinate painting," and examines his energetic attempts to transcend the medium through collage, drawing - and painting. Through Jan. 12, 2009. 11 West 53rd Street, between Fifth and Sixth Avenues, New York City...

Author: /time Magazine | Title: Travel News: Classic Old Bars | 11/21/2008 | See Source »

...donation, which includes painting by Pablo Picasso, Joan Miro, and Barnett Newman, is "one of the most significant donations of art" that the Harvard Art Museum has ever received. The $45-million is also the largest financial gift ever to the museum...

Author: By The Crimson Staff | Title: Harvard Art Museum Receives $45 Million Gift from Pulitzer | 10/17/2008 | See Source »

...swarming and drawn with a line as exact as a knife's cut, comes from multiple sources. One, obviously, was Hieronymus Bosch. Another was the decorative art of Islamic Spain, with its precise yet often hallucinatory stylization of animal and vegetable shapes; the first sign of its incursion into Miro's work is the 1918 Standing Nude, whose sturdy body, pleated with Cubist (or at any rate, cubified) wrinkles, poses against a drapery covered with arabesques and birds. And then there were the mosaic inventions of the Catalan artist Josep Maria Jujol, who was working for Gaudi when Miro...

Author: /time Magazine | Title: THE PUREST DREAMER IN PARIS | 7/21/2008 | See Source »

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