Word: miro
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Dates: during 1960-1969
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...impossible to name all the artists or point out all of the outstanding works. Miro, Picasso, Chagall, Modigliani, de Stael, Matisse, Kandinsky, Vlamink--they are all there. Three very gentle and humourous Dubuffet's, a marvelous Miro bull, Max Ernst's flowers with sea-shell impressions for petals are examples of traditionally but well represented artists. Picasso steps out of the norm with a stage curtain painted for Diaghilev's Russian Ballet, recapturing Paris's sense of community, in contrast to the unique achievements of each artist separately...
Prophetic Approaches. In the long run, the other technique of "automatist" surrealism proved more revolutionary and durable. As practiced by Joan Miro, André Masson, Max Ernst and Roberto Matta, automatism relied on the unconscious to direct the pen, pencil, brush or tube of glue. "Rather than setting out to paint something," said Miró, "I begin, and as I paint, the picture begins to assert itself." Landscape with Rooster, one of a dozen outsize, uninhibited Mirós on display, illustrates the antic, fanciful contours that result...
...Travail du Peintre (1957) is a cycle of seven songs on poems by Paul Eluard, each of which portrays a painter of this century: Picasso, Chagall, Braque, Gris, Klee, Miro, Villon. Despite their date, they, too, hearken back to an earlier period and have a great deal in common with the songs of Faure. Miss Fuerstman, who is studying for a Masters in voice at the Manhattan School, failed to achieve a sense of phrasing in the more declamatory songs; elsewhere, however, she exhibited a rare blend of spirit and control. Both compositions of Poulenc suffered from problems of balance...
...greatest tapestries were on special exhibition last week at France's Mobilier National (the government department in charge of all official furnishings). The exhibits range in style from the elaborate allegories of Gobelins' first director, Charles Le Brun, to the joyful abstractions of the Spanish painter Joan Miro (see color page...
...kind of painstaking handmaiden. Not until 1937, when French Painter Jean Lurcat introduced abstractions, were the weavers released from traditional subject matter. The revitalized Gobelins factory also attracted the designs of the 20th century's most prominent artists, including Marc Chagall, Jean Arp, Victor Vasarely and Miro. Inspired by the fresh results, contemporary architects awoke to the fact that tapestries provide a highly effective counterpoint for vast spaces and cold materials. Says Miro, enthusiastically planning to collaborate with architects on new tapestries: "As modern man becomes increasingly restless, moving from one house to another, I'm sure there...