Word: miro
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...Muhlbach as if he were a middle-aged door mat. Though he makes a fool of himself over her, he never loses his discretion or his cool collector's eye. Here is Muhlbach on entering Lambeth's apartment for the first time: "On the walls a cheap Miro print, a Tantra poster, a blowup of Humphrey Bogart, half a dozen tissue paper collages." On her shelves, "a picture book about Marilyn Monroe. Scientology. I Ching. M.C. Escher prints. One of Heyerdahl's raft trips. A bestseller by a formidable lady with three names...
...first celebrated works were a library in Viipuri and a tuberculosis sanatorium in Paimio. Their design was lean, clean, direct and even witty; in Aalto's hands, the meeting of an undulating ceiling and a wall could result in a line as playful and zesty as a Miro sketch...
Alexander Calder, prints and tapestries at Graphics I and II, 168 Newbury St. Calder has a magnificent sense of design and color--not since Matisse have tapestries been so exciting. Graphics is a good place to know; they have drawerfuls of Picasso, Miro, Matisse, etc., etc., just...
...cool, infrangible poise of David Hockney's still lifes and portraits. Pierre Alechinsky, the Belgian painter, is represented by a group of delectably complex, exuberant paintings, swarming with organic life like microscope slides rendered in calligraphy. There is a group of Sobreteixims by the 82-year-old Joan Miro, hangings woven from thick knotted clumps of rope, charred and then painted with undiminished vitality...
Irony and Narrative. Next to Miro and Dubuffet, the oldest painter in the show is Jean Helion. Having been one of the leading abstract artists in France between the wars, Helion returned to figuration in 1947. "I looked through my studio window," he recalls, "and I found that the outside world was more beautiful than my picture." He is now 71 and at the height of his powers. What pervades his paintings is a wry and original sense of human stance and gesture; under the cubist planes of the surface lies a marked appetite for the sensuality of commonplace things...