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Word: miro (lookup in dictionary) (lookup stats)
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...room is a jam- packed maze of tables, counters and bars, with all the tapas symbols in place: hanging hams and sausages, ropes of garlic and peppers, and sides of dried salt codfish. Noise, music, tiles and fake Spanish paintings (a not- quite- Picasso Guernica here, a playful pseudo-Miro there) attract yuppies of all ages, who begin to line up at 6:30 every evening. Among the more delectable possibilities: red beans with snails, a layered potato omelet, white beans with clams, and deep-fried eggs. Usually on hand are steak with chili corn sauce, stuffed squid, eggplant...

Author: /time Magazine | Title: Food: And Now, Time Out for Tapas | 7/14/1986 | See Source »

...second was its tenacious originality. O'Keeffe was as thoroughly American as Joan Miro -- whose clarity and depth of space her work sometimes distantly recalled -- was Catalan; her paintings remind those sated with cross-cultural quotation that major art is more apt to spring from deep allegiances to specific experience than from isms. She did not go to Europe until she was 65. When she saw Mont Ste.-Victoire from Cezanne's studio above Aix-en-Provence, she characteristically called it "a poor little mountain" -- which it is, in a way, compared with the landscapes that surround her Ghost Ranch...

Author: /time Magazine | Title: Art: A Vision of Steely Finesse: Georgia O'Keeffe: 1887-198 | 3/17/1986 | See Source »

...resulting images are like windows into a distinctly shaped but largely unrecognizable world. They have more than a little in common with surrealism; one thinks of the Pandora's box of little involuntary creatures, buzzing and defecating and copulating, that Joan Miro opened in the 1920s. And like those dreambugs, Winters' fungi and spores have a distinctly human air. In their aggregation, they refer to social structures: hives, crowds, nests, colonies. They suggest hierarchies and sometimes conflict. But all this is decidedly muffled, submerged so far in the paint that it hardly works as allegory. Winters does not want...

Author: /time Magazine | Title: Art: Obliquely Addressing Nature | 2/24/1986 | See Source »

...favorite image) were seen, if at all, as a mere prelude to his abstract work. They did not look as "interesting" as the early work of his colleagues because Kline was the only abstract expressionist not touched by surrealism. He painted as though he had never seen a Miro. And so Franz Josef Kline, named by his Pennsylvania saloonkeeper father after the Austrian Emperor, is mainly remembered for a decade's worth of paintings: the stark abstractions, composed of thick bars, props and vectors of black on a white ground, that he made in New York after 1950. Their iconic...

Author: /time Magazine | Title: Art: Energy in Black and White | 2/10/1986 | See Source »

Dominique Bozo, the museum's director, was able to choose from the Picassos the artist had hoarded for himself. In addition, he was given paintings from Picasso's private collection, by such artists as Matisse, Renoir and Miro. As a result of Bozo's freedom to make his own selections, the museum admirably represents almost all major phases of a protean career. Yet there are a few gaps. Picasso was a Spaniard, and the Picasso Museum in Barcelona has most of his very early works. Madrid has the Guernica, which found refuge in the Museum of Modern Art during Francisco...

Author: /time Magazine | Title: Art: A Museum for Picasso's Picassos | 10/7/1985 | See Source »

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