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Tapies, brightest young (35) man to come out of Spain since those electric uncles of modern art, Picasso, Dali and Miro, allowed that his picture represented "nothing at all." His pigments were mixed with "something like cement-it's almost like relief work." La Pintura does in fact suggest the Costa Brava's austere spaciousness-rocks, sea and fishing boats...

Author: /time Magazine | Title: Art: Herds & Old Mavericks | 12/15/1958 | See Source »

...with wire sculptures. He created out of wire a whole circus, complete with leaping trapeze artists, jumping kangaroos and horse-hurdling bareback riders. Their mobility, controlled by springs and a master crank, charmed a Paris Left Bank audience that included Jean Cocteau, Pablo Picasso, Fernand Leger and Joan Miro. The mobile was being born...

Author: /time Magazine | Title: Art: DESIGN IN MOTION | 5/26/1958 | See Source »

...Galleria Blu with 20 paintings which showed that as an artist he is haunted by the great styles that make up the 20th century artistic breakthroughs and yet has a recognizable stamp of authority and color mastery all his own. Homage to Soldiers (see cut) owes a debt to Miro; his Four Bathers carries echoes of Picasso and Braque. But Pirandello's interest in the human form (he first studied to be a sculptor) keeps them well on this side of abstraction. Says Italian Critic Lionello Venturi: "He is the most human painter in postwar Italy...

Author: /time Magazine | Title: Art: Bel Canto Painting | 1/6/1958 | See Source »

...represented at his most fanciful and most substantial, Braque displays his talent for being perennially so very right, and Rouault, as usual, exhibits as much profundity in a landscape as in a crucifixion. It is good to see less exhibited figures such as Villon and Masson included, though Miro, Leger, Mondrian and the sculptor Lipschitz receive perhaps less than their...

Author: By Paul W. Schwartz, | Title: Modern Masters | 10/16/1957 | See Source »

...Peter Welch, who called on him last week to get his views on the relationship of outdoor sculpture to modern architecture. From the Parthenon Breuer moved quickly on to his UNESCO building, which is being put up in Paris with sculpture and murals by Henry Moore, Alexander Calder, Arp, Miro and Picasso. As Breuer talked, he doodled his ideas on a piece of paper lying on his desk (see cut). The story and the page of color pictures that started all this are laid out in ART, Sculpture Outside...

Author: /time Magazine | Title: A Letter From The Publisher, Aug. 12, 1957 | 8/12/1957 | See Source »

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