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This provides formidable competition. Next to Rouault, Max Beckmann's strength, coherent though it is in both still life and portrait, becomes an inflexible and dry stiffness. Bradley Walker Tomlin's vivid pattern of color dabs appears insubstantial and weak. Even Miro's usual verve and wit fail to bring his Lasso to satisfying completeness. Yet, such free-swinging abstractions as Toti Scialoja's or Richard Diebenkorn's, have far less to say. Their absence of representational basis is perfectly acceptable but their lack of aesthetic articulation...

Author: By Paul W. Schwartz, | Title: The Pulitzer Collection | 5/25/1957 | See Source »

...current versions, attention has been directed away from the young Tsar and focused on the heroic popular leaders of the national uprising against the invading Poles in 1611-13. With that party-line emendation, the opera's melodramatic plot has been preserved intact. Weak in leading roles (Bass Miro Changalovich and Soprano Maria Glavachevich), the present version is thunderously impressive in its choral and ensemble passages, sung by the Yugoslav Army Chorus...

Author: /time Magazine | Title: Music: New Records, may 6, 1957 | 5/6/1957 | See Source »

...early part of the century. What we see are derivative paintings. The influence of the American abstract expressionist school is clear in the work of Fritz Winter (this school itself of course has its roots in Kandinsky's early experiments). Willi Baumeister is a second-rate Miro. And others like Hans Uhlmann and Ernst Wilhelm Nay are bound in vision of Picasso. Were it not for the fact that many of the theorists of German art, like Albers who is at Yale, are now cut off from their traditional sources, Germany might now be once again making important contributions...

Author: By Lowell J. Rubin, | Title: German Mid-Century Review | 10/16/1956 | See Source »

Abroad, the parade back to lithography was started by Picasso himself, who in 1945 became fascinated with the out-of-mode art form, was soon joined by a host of modern masters-Georges Braque, Fernand Leger, Joan Miro et al. In the U.S. lithography, which was revived as an art form under the WPA, also began its boom soon after World War II. Today in Manhattan The Contemporaries Graphic Art Center has in constant use most of the 90-odd lithographic stones it rounded up from old commercial houses Which since the turn of the century have shifted to zinc...

Author: /time Magazine | Title: Art: GOLDEN STONE | 10/8/1956 | See Source »

...artists' contribution to the curved concrete structure in Paris will be as international as UNESCO. Britain's Sculptor Henry Moore will do a figure for the main piazza, and French Jean Arp will do a bas-relief for the library. Spain's Joan Miro will also do a mural, and Manhattan's Isamu Noguchi will contribute a couple of oriental gardens complete with his own abstract sculptures and an Alexander Calder mobile. In addition, two leading designers, Herbert Bayer of the U.S. and Nizzoli of Italy, have been commissioned to handle interior design, with an area...

Author: /time Magazine | Title: The Press: Adornment for UNESCO | 6/25/1956 | See Source »

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