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Like organic spongy life of the sea or the weird shapes that bubble and float before our half-closed eyes in bright sunlight, the forms of Joan Miro drift across his canvasses. For their simplicity, the crescents, spots and silhouettes have been called no form at all but only elements--embryos of form like "graffati that children scratch on walls" or that "prehistoric man engraved in caves...

Author: By Lowell J. Rubin, | Title: Joan Miro | 1/11/1956 | See Source »

...Miro traces his imagery back to the Romanesque frescoes of his native Catalonia and the influence of his teacher Urged who left him with an obsession for the red circle, the moon, and the star. To these can be added other sources of inspiration. From Cubism, Art Nouveau, Surrcalism, he borrowed eclectically. But when the literary and formal sources were exhausted he returned to the materials themselves for suggestions. This is one of the late developments noticeable in the loan collection from the Pierre Matisse Gallery at the M.I.T. library...

Author: By Lowell J. Rubin, | Title: Joan Miro | 1/11/1956 | See Source »

...more sedentary, the editorial board offers an opportunity to analyze anything from the FEPC to the HAA, to discuss Miro Painting or the decline of Harvardmanship...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON Competitions for All Boards Will Begin Next Tuesday | 11/26/1955 | See Source »

Others of the splendid handful were a large still life by Joan Miro (donated by Armand G. Erpf), far harsher than the later, playful abstractions that made his fame, and a cheesecloth-and-plaster picture by Paul Klee (donated by Stanley Resor) entitled The Vocal Fabric of the Singer Rosa Silber. Klee's painted maze symbolized the singer by her initials alone, and her voice by the liltingly arranged vowels...

Author: /time Magazine | Title: Art: SPLENDID HANDFUL | 8/8/1955 | See Source »

...constructivist sculptors who have also integrated science and aesthetics, Calder is not primarily concerned with industrial or mechanical shapes. His design, as the titles "Spider" and "Big Worm--Little Worm" suggest, stems from nature. Beyond direct observation of natural phenomena the biological shapes of Arp and especially Miro have influenced...

Author: By Lowell J. Rubin, | Title: Alexander Calder | 5/19/1955 | See Source »

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