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Word: miro (lookup in dictionary) (lookup stats)
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...involvement with the Harvard Living Wage Campaign began that afternoon. The sight of Bob's anonymous arm and the cafeteria's multi-million dollar Joan Miro installation that framed it became for me an icon of the skewed institutional values that subject Harvard's working-poor to unnecessary and, in a very real sense, invisible hardship...

Author: By Aaron D. Bartley, | Title: High Time for a Living Wage | 4/6/2000 | See Source »

...done an excellent job of showing and analyzing the ways in which illusion, the act of making marks that get read as "real," acts in his painting. No illusion, no Dali. This isn't true of other surrealists, or painters who went through a surrealist phase, like Joan Miro. But Dali's effort to make dreams concrete, to lead the viewer into a state of radical doubt about the supposedly fixed nature of reality, is the entire key to his art. And without the most obsessive and paralyzing exactness of detail, it couldn't have worked. Either you believe that...

Author: /time Magazine | Title: Art: The Two Faces Of Dali | 3/13/2000 | See Source »

...great poem to the art of painting shows how, in a space brimming with red and punctuated by renderings of his own pictures, the visual becomes the lord of all the senses. RUNNERS-UP Still-Life with Chair Caning by Pablo Picasso; Dog Barking at the Moon by Joan Miro...

Author: /time Magazine | Title: The Best Of The Century | 12/31/1999 | See Source »

...done, they stimulate the public's interest in Vegas," says Wynn, CEO of Mirage Resorts, Inc., and the son of a gambler who came to Las Vegas in the 1960s. The biggest stimulus at the Bellagio, of course, is Wynn's $300 million collection of works by, among others, Miro, Picasso, Matisse, Leger, Modigliani, Lichtenstein, Warhol, Pollock, de Kooning and Jasper Johns, and sculptures by Giacometti and Brancusi...

Author: /time Magazine | Title: Las Vegas--Over The Top: In With The New | 10/26/1998 | See Source »

Bringing metaphors of nature back into abstraction (or rather, perhaps, using abstraction to distill natural processes) lay at the core of his finest work. This he shared with Miro, whose sense of nature never deserted him and who scarcely ever painted a pure abstraction. Miro's moons and planets and bean and caca shapes, his fine whiskery black lines, find their sculptural brethren in Calder's spheres and stalks of wire, his trembling disks...

Author: /time Magazine | Title: Art: The Merry Modernist | 5/4/1998 | See Source »

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