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...cirque Calder that got the young American full entry to the Parisian art world. This charming piece of performance art was one of the small sights of Paris between 1926 and 1930; it was seen and enjoyed by a whole roster of artists, designers and architects--Joan Miro and Fernand Leger, Le Corbusier and Isamu Noguchi and, most important for the eventual direction of Calder's own work, Piet Mondrian...

Author: /time Magazine | Title: Art: The Merry Modernist | 5/4/1998 | See Source »

...sculptures out of wire alone--just a line springing in air, curving back on itself, joining with others in a frazzle of twists, hanging from a string and responsive to the lightest touch of a finger or breath of air. Most of them were portraits--some of fellow artists (Miro, the composer Edgard Varese), others of show-biz celebrities like Josephine Baker or the great honky-tonk comedian Jimmy Durante, whose famed nose, translated into wire profile, becomes a fearsome proboscis. They were witty, vital (the faint quivering of the wire from room vibration gave them an odd subliminal life...

Author: /time Magazine | Title: Art: The Merry Modernist | 5/4/1998 | See Source »

...When Miro and Nives, two battle-hardened Sarajevan refugees, joined me for a screening of Welcome to Sarajevo, we all expected to engage in a fair share of sarcastic rib nudging and eye rolling. How could any film capture what I felt in the summer of 1994, for instance, when I watched antiaircraft rounds pierce a tram like a sardine can, and then rushed to Kosevo Hospital to interview the wounded--including a man who had not yet realized that his wife was dying on a nearby operating table? And how much less could any movie mirror that couple...

Author: /time Magazine | Title: CINEMA: THE WAY IT WAS | 12/1/1997 | See Source »

...shoe is on the other foot. The Americans are coming and bringing with them the attitudes of a society mired in the complacency of mass consumption. Elderly American tourists crowd the art museums looking for Diego Velazquez and Joan Miro prints to send home to the family, snapping photos ransacking gift shops along the way. At night, everybody straggles home from the bars and discotheques, but it is the Americans who are singing...

Author: By Abby Y. Fung, | Title: The American Invasion | 9/17/1997 | See Source »

...builds on earlier art, de Kooning's no less than most. Part of its strength was in its rootedness. The big senior influences on his early American work were Ingres, Miro and Picasso--and among his contemporaries, the tragically fated Gorky, who would kill himself in 1948. "I am glad that it is about impossible to get away from his powerful influence," de Kooning wrote soon af-ter Gorky's death, and the Armenian painter's recurved, taut line, describing edge and implying volume in a single gesture, was preserved in the Dutchman's work. In fact, de Kooning...

Author: /time Magazine | Title: DESIRE AT FULL STRETCH: WILLEM DE KOONING (1904-1997) | 3/31/1997 | See Source »

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