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...This is how Rembrandt painted angels," Vincent van Gogh wrote to Emile Bernard in 1888. "He paints a self-portrait, old, toothless, wrinkled, wearing a cotton cap, a painting from life, in a mirror ... and, why or how I cannot tell ... Rembrandt paints a supernatural angel with a Da Vinci smile within that old man who resembles himself." That description certainly fits the superb 1669 Rembrandt self-portrait, on loan from London's National Gallery, currently hanging beside Van Gogh's own 1888 Self-Portrait as an Artist. It is the centerpiece of "Vincent's Choice...

Author: /time Magazine | Title: Imaginary Museum | 2/23/2003 | See Source »

...father” and “daughter.” The group leaders were asked to release their unconscious feelings with improvised gestures, while the other students imitated their movements. Each actor’s emotions were magnified and reinforced by their mirror images, and their individual identities became part of a larger emotional entity...

Author: By Zhenzhen Lu, CONTRIBUTING WRITER | Title: 'Commedia dell'arte' Comes to Harvard | 2/14/2003 | See Source »

Soon her name is called by a young man quick to identify himself as “the producer.” She is led down windy stairs to a mirror-lined dance studio with three others actors, all making small talk. Her thoughts remain a mystery behind her too-eager smile...

Author: By Jessica E. Vascellero, CRIMSON STAFF WRITER | Title: For Students, Getting the Part Takes Perseverance | 2/14/2003 | See Source »

...mildest possible terms: "I have high hopes that the removal of Saddam will strengthen our democratic allies in the region," Senator Joe Lieberman told me last week. He may be right. But there is also a chance that the exact opposite will happen, that war will nourish the Arab mirror fantasy: the fantasy of martyrdom, and a continuing romantic struggle that will only end when "Zionists and Crusaders" are once more expelled from the Holy Land...

Author: /time Magazine | Title: How Israel Is Wrapped Up in Iraq | 2/10/2003 | See Source »

During the prologue, twenty men and women walk onstage one after another, their steps loud on the copper floor and their shadows dark against the curved walls that loom behind them. As they reach the front of the stage, the actors examine themselves in an imaginary mirror somewhere in the audience, then retreat as they cautiously approach their companions...

Author: By Alexandra D. Hoffer, CRIMSON STAFF WRITER | Title: 18th Century Play Brought to New Life at the ART | 2/7/2003 | See Source »

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