Word: mirror
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...Columbia graduate who previously revitalized Iona’s program, Saretsky assumed the reins as director this season from Frank Haggerty ’68, whose tenure in Cambridge began in 1982. While the Haggerty-Saretsky line of succession is not necessarily a mirror of Restic-Murphy, Saretsky notes that diversity—or the current lack thereof—was a topic of discussion during the interviewing process...
...simple, direct and powerful. One clue to how he found that power lies at the end of the poem, in a line Gore doesn't recite, as the poet reveals his desire "to be what I have never been ... a man all alone, walking with no road, with no mirror...
...Gore is not carrying a mirror. He's not selling himself; he's selling a cause, a journey. There are no consultants fussing at him, telling him how to be himself. "There's no question I'm freed up," he says. "I don't want to suggest that it's impossible to be free and authentic within the political process, but it's obviously harder. Another person might be better at it than I was. And it's also true that the process is changing and that it may become freer in time. Obama is rising because he is talking...
Indeed, the authors assertions seem to mirror those found in any two-bit anti-Zionist tract, holding that Israel lacks any moral claim to American support, because the “creation of Israel entailed a moral crime against the Palestinian people,” in addition to the grossly exaggerated and inaccurate claim that Israel has continued to commit crimes against Palestinians including “massacres … and rapes by Jews.” And this is from the former academic dean of the Kennedy School. If this is what Harvard’s top professors...
...Michael Bennett's original production was smart, lavish and cutting. During the "Who's That Woman?" number, in which the aging chorines come to terms with the difference between the 20- and 50-year-old selves, Bennett lowered a stage-wide mirror that caught both the middle-aged actresses on stage and the middle-aged audience, staring at the women and sharing their discomfort. In the second act, the animosities festering in the two main couples explodes into rancorous fantasy in the faux-Ziegfeld "Loveland" section, and Bennett gave Sondheim's comic-poignant torch songs and novelty numbers a splendor...