Word: mirrored
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...reporting a Zanuck film, Crack in the Mirror, TIME'S critic wrote, "Justice, however, is not done in the screen credits, where Producer Zanuck, under the pseudonym, Mark Canfield, generously accepts full responsibility for the screenplay." Nor is justice done by TIME to the author of the novel, Drame dans un Miroir, on which the film is based. That...
...theater to discover another world, the true world of imagination, but I saw only my own bad world, coarsely admired . . . How rarely on the stage do you see people who think thoughts, who make political decisions, who are not asking merely to be loved. If the theater is a mirror of our society, then the only revolutionary act left in American life is to be a thinker...
Crack in the Mirror (20th Century-Fox) was produced by Darryl Zanuck, a great man for the special angle. As production boss of 20th Century-Fox, he made plenty of splash and cash with controversial pictures about insanity (The Snake Pit), anti-Semitism (Gentlemen's Agreement) and the color line (Pinky). Since setting up as an independent producer, he has made or sponsored films about interracial romance (Island in the Sun), impotence (The Sun Also Rises), homosexuality (Compulsion), and a man who was crazy about elephants (The Roots of Heaven). In Crack in the Mirror, a murder meller made...
...both Laro and Donahue realized that they were only the Post's caretakers until Heir Apparent Bill Hobby came of executive age. Shortly before the changeover, Laro quit the Post to join the Los Angeles Mirror-News as executive editor; last week Donahue followed, was hired as the Mirror-News's assistant managing editor. Nearly a dozen other Post staffers have indicated that they might hit the trail to California too. To reassure the staff about its new boss, young Hobby stuck this sentence into the Post's news story of the change: "Former Governor William...
...stagy, often garish, and outrageously flattering to his subjects; but he was also an ideal mirror for an age whose ideal was elegance and whose idol was Beau Brummell. In a sense, Lawrence was more honest with his time by painting it in all its blatant vanity-not as it was, but as it wanted...