Word: mirrored
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Dates: during 1980-1989
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...believing them. I always wanted to be as old as my sister, and my mother always told me not to wish my life away." After attending her 45th reunion, Doob vowed that she would never attend another: "All my friends were so old. I don't look in the mirror much, and I work around so many young people that I, too, usually feel very young." But Austin says she tries not to live in the past: "You almost feel like a different person this many years later. I try to live in the present." And, as she writes...
...first glance, the women in this two-character play seem singularly unbondable. Maude Mix (Susan Sarandon) is a prim, orderly Westchester housewife. Her decorator-designed kitchen qualifies as a picture spread in Better Homes and Gardens, and her life seems to mirror her kitchen. When the curtain rises, Maude is meticulously folding laundry and baking chocolate chip cookies for charity. As if to modify these rituals, she breaks into a wild disco dance to the strains of Gimme Shelter...
...supposed inspector-general's arrival with the cacophonous murmur of an elderly Orthodox Jewish congregation praying at different speeds. Richard Grusin's nasal, rotund Director of Welfare Institutions and Eric Elice's contortionist Superintendent of Schools, especially, transform this group into a human array of deformity who physically mirror their own insides...
...like a second, ghostly audience. In his impenetrable complacency, he can ignore them with a wave of his hand. But if the audience on the other side is to respect itself any more than it respects him, it's forced to contemplate its own visate in this, Gogol's mirror...
...placid, ill-educated and wholly compliant blond, who had never heard of him or his work, and offered nothing that even Picasso's egotism could interpret as competition. She became an oasis of sexual comfort. His images of Marie-Thérèse reading, sleeping, contemplating her face in a mirror or posing (in the Vollard suite of etchings) for the Mediterranean artist-god, Picasso himself, have an extraordinarily inward quality, vegetative and abandoned. In one sense, the body of Marie-Thérèse, curled up in Nude Asleep in a Landscape, 1934, is seen as a graffitist might see it?...