Word: mirrored
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Dates: during 1980-1989
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...result was a speech that, for all its expressions of sympathy, clashed with Israeli policy more openly than any other U.S. initiative since the Eisenhower era. The specific ideas in it were not new; indeed they almost mirror the expert consensus on the necessary and the possible that has evolved in recent years. But the President went further than any of his predecessors in embracing a broadly defined concept of Palestinian autonomy as a goal that the U.S. should promote. His view that the West Bank and Gaza should be linked to Jordan was another proposal that...
...artist printed it on a sheet of cheap paper with engraving plates he heated on the gas burner in the family kitchen in The Bronx. Though coarsely crosshatched, its composition a tad askew, the engraving is a riveting reflection of the artist at 18, staring at the mirror with the same unswerving, enigmatic gaze that he would cast upon the world for the next 60-odd years of self-portraiture. By 1920 Soyer had a lithographic crayon firmly in hand. With strong, fluid strokes, he sketched a head of singular beauty: a mass of black curls resting on an inverted...
...turned to sculpting and then brought his wife and children to California, was perhaps the most curious of the lot. To save the expense of hiring a model for his sculpture of a Crucifixion scene, he strapped himself to a large cross and observed himself before a full-length mirror. As children, Edie (born in 1943) and her younger sister Suky had needles of vitamin B injected daily in their bottoms. She recalled, or imagined, attempted rapes by her father and brothers. From the moment of conception into this modern House of Atreus, Edie was tracing a steep trajectory toward...
...concrete bulk of the building is painted pale yellow and dotted with even rows of square windows. It is decorated with seven-story-high terra cotta pilasters, set against mirror glass and capped by what looks like the metal spout of a sugar box. Above the pilasters, on the front facade, is a five-story-high keystone that is topped off by what Graves calls a baldachino, a sort of lookout. On two sides the building is garnished with masonry garlands. At first these garlands were to be metallic fluttering-in-the-wind affairs, but the city council vetoed them...
...street dressed as a giant peanut, his view limited by a slit in an oversized bow tie. The papier-mache prison foreshadows future confinements, but it is also a rude distortion of a young body striving to know itself. At one point the young man stands naked before a mirror and attempts to sketch his reflection. But "he found it very difficult to draw himself without drawing in the paper and pencil too." The result is a picture of his body drawing his body...