Word: mirrored
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Dates: during 1990-1999
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...name I had heard in passing--Anna something. She ran a one-woman show. A woman with a surfeit of hats: actor, writer, performance artist. "Fires in the Mirror...
That show is in Cambridge now. The one you'd heard about in passing. By that woman whose name you couldn't remember. She's Black; its about race. "Fires in the Mirror." I really should...
...Fires in the Mirror." Anna. There she was; then there she wasn't. A man, now a woman. A Jewish mother, a Black child. Not a seam between them...
Chris Scully's set design picked up on Wilde's deliberate symbolism. In Act III, the drawing room of the country house was a mirror image of Algernon Moncrieff's London flat in Act I. Whatever Wilde's personal opinion of country and city might have been (`...and never the twain shall meet,' perhaps?) Scully has added his own sardonic note...
Fires in the Mirror, Anna Deavere Smith's one-woman show at the American Repertory Theatre, provoked a wide range of responses. The A.R.T. organized three panels to consider the issues raised in the representation of the Crown Heights deaths. On October 8 (after the matinee), the panel will include Henry Louis Gates Jr., chair, Dept. of Afro American Studies; Hubert Jones, Dept. Dean of School of Social Work, Boston University; Charles Ogletree, professor of law, Harvard Law School; Henry Rosovsky, Geyser University Professor. On October 9, the panel will consist of Alan Dershowitz, professor of law; Florence Ladd, Director...