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...slum clearance and social workers, the one that the Jews and the Irish and the Italians were all leaving for the suburbs. So Weegee moved on too. Until his death in 1968, he devoted himself to 16-mm film projects and darkroom tricks that turned people into fun-house mirror caricatures, work of a kind that had been done earlier by Andre Kertesz and more effectively by Bill Brandt...

Author: /time Magazine | Title: Photography: Dames! Stiffs! Mugs! | 1/12/1998 | See Source »

...fond if naive belief that the perfectibility of the family--making it stable, firm, happy--would help save humankind. Her father and mother had failed miserably at family. She did not intend to. But she stumbled into the very nightmare she sought to avoid and became the spectacular mirror for other people's disappointments: the most splendid of cautionary tales. In the monumental ruin of Diana's life, people saw the limits of their own aspirations...

Author: /time Magazine | Title: OTHERS WHO SHAPED 1997: PRINCESS DIANA | 12/29/1997 | See Source »

Holub's short essays in Shedding Life buck conventional genres: they're neither cultural studies nor conventional science writing in the Stephen J. Gould mold. Shedding Life could be best described as literary essays in a scientific mode--science, biology in particular, becomes a mirror in which to view society, politics and philosophy...

Author: By Joshua Derman, CRIMSON STAFF WRITER | Title: Plasma Meets Politics in 'Shedding Life' | 12/12/1997 | See Source »

...cooperate to create an aural combination of soft weeping and more vehement sobs, and add a mournful nuance to otherwise unprofound lyrics. In much the same way, the flute arrangement on "Your Eyes" augments the nomadic gypsy rhythm of the song itself, and horns on "I Can't Wait" mirror the impatience and expectation of the lyrics. Meanwhile, keyboard accompaniment lends an original flavor to the rest of the standard Sundays fare...

Author: By Erika L. Guckenberger, CONTRIBUTING WRITER | Title: Just Another 'Static' Sunday | 12/5/1997 | See Source »

...work out the way they're supposed to: When our Scud robot takes a break from the first issue's cinematically staged chase-and-shoot sequence to wash monster blood off his hands in the men's john...well, he happens to catch a glimpse in the mirror of his own back--complete with a label warning that he'll blow up the moment his assigned target is destroyed. Our Scud has an epiphany, realizes that he doesn't want to die and settles for merely damaging Jeff and stowing her safely in the emergency facilities of his local hospital...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: KILLER Comics | 12/5/1997 | See Source »

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