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...than the capitalist world gives. After all, the Soviet socialist system is the most progressive in the world. Yet even after 50 years, communist parties are still unable to win in parliamentary elections. This is something to think about. People refuse to follow us. We are not yet a mirror into which the West wants to look. We have to create tangible advantages and therefore create conditions for the victory of our way of life. This is the question of questions...

Author: /time Magazine | Title: Khrushchev's Secret Tapes | 10/1/1990 | See Source »

...that bread. Through the existing system it is not possible to acquire food on time and in the quantity needed. Moscow can't satisfy the needs of its own population, yet it is better off than other cities of the Soviet Union. Kiev, for example, has always been a mirror that reflected the state of agricultural production. Now this mirror shows us a very unattractive image...

Author: /time Magazine | Title: Khrushchev's Secret Tapes | 10/1/1990 | See Source »

Fisher's personal photograph collection is a testimony to his extensive work in Central America. One six-by-eight color photo displays Fisher in the company of Oscar Arias, the Nobel laureate and president of Costa Rica, and the flip side shows nearly a mirror image, only this time Fisher is with the president of Guatemala. Turn to a nearby print, and you'll see Nicaraguan President Daniel Ortega is fixing you a stare...

Author: By Jonathan M. Berlin, | Title: Out of the Classroom and Into the Fire | 9/27/1990 | See Source »

...idea that a portrait should be the "mirror of the soul" as well as a formal utterance about appearance and rank was not born with Titian; Leonardo, Botticelli, Durer and Van Eyck were all his elders, and in his youth he worked with Giorgione, the most shadowed and inward looking of Venetian quattrocento painters, on the fresco decorations of the Fondaco dei Tedeschi. Giorgione's ambition to paint people in the act of thinking, to invent signs for internal reflection as well as external show, was carried forward by Titian into works such as the Louvre's Man with...

Author: /time Magazine | Title: Art: An Appetite for Human Character | 9/17/1990 | See Source »

Beside the effervescent Morris, Baryshnikov is rather severe, intently examining the image in the mirror when he is dancing, contemplating Morris with a fixed eye when he isn't. His gaze looks critical, but that's not the case. "I try to figure out the way he works and anticipate him," Baryshnikov says cheerfully. "But I never...

Author: /time Magazine | Title: Dance: The Mark and Misha Show | 9/17/1990 | See Source »

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