Word: mirrored
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Players who return while the strike is in progress "would be selling out and I don't think they could look at themselves in the mirror," Baty said. "It would be stupid for anybody to do that. It would ruin their relationship with the rest of the players...
...throwin' stones/ To hide your hands") with scat-style facility. There is a great singer at work here, doing vocal stunts on tracks like Dirty Diana or Speed Demon that are as nimble and fanciful as any of his dance steps. Man in the Mirror, a ballad of confession and resolution, is more than just a vocal turn. It is a remarkable dramatic performance -- intense, direct and unadorned, one of the best things Jackson has ever done...
...Jackson the singer can get bushwhacked by Jackson the persona, who is a ; dangerous highwayman. The Man in the Mirror most people will see is not the conscience-racked singer ("I'm starting with the man in the mirror/ I'm asking him to change his ways . . ./ If you wanna make the world a better place/ Take a look at yourself, and then make a change") but the Captain EO of theme-park fantasies or the peekaboo celebrity, recumbent in his isolation tank or cornered by paparazzi flashes, wearing his Elephant Man surgical mask and upping...
...Smooth Criminal takes straight: an evocation of bloody assault, possible rape and likely murder. At any time, it would sound like a creepy song. At the end of the album, it has the effect of casting out all the optimism and willful idealism of Bad and Man in the Mirror and shrouding the record in a spooky, spiritual darkness. The piece is powerful, all right, but not perhaps in the way Jackson intended. It overpowers the joy of the playful competitiveness in his duet with peerless Stevie Wonder (Just Good Friends). It leavens the cosmic sentimentality of Another Part...
Socially, Doug is a dependable loser. His technicolor fantasies fail to arouse young women, who think of him as a black-and-white rerun; the older ones are even more bathetic than he is. Worse, the mirror reminds Doug that the half-century mark looms: "50! 50 was General MacArthur . . . the school principal . . . 50 was Abby Meltzner, the delicatessen waiter his parents knew, who retired with the shakes. 'Put down the glass, Abby,' his boss had said. 'You have to go home.' 'I'll go home,' Abby replied. 'But I can't put down the glass...